{"id":25931,"date":"2025-01-17T16:40:32","date_gmt":"2025-01-17T21:40:32","guid":{"rendered":"https:\/\/www.uartes.edu.ec\/sitio\/agua\/?post_type=tribe_events&p=25931"},"modified":"2025-01-17T16:40:36","modified_gmt":"2025-01-17T21:40:36","slug":"materialidades-digitales-entre-copias-clones-y-mutaciones","status":"publish","type":"tribe_events","link":"https:\/\/www.uartes.edu.ec\/sitio\/agua\/evento\/materialidades-digitales-entre-copias-clones-y-mutaciones\/","title":{"rendered":"Materialidades digitales: entre copias, clones y mutaciones"},"content":{"rendered":"
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\n\t\t\n\t\t\tviernes, enero 24, 2025\t\t<\/span>\n\n\t\t\t\t\t\n\t\t\t\t @ \t\t\t<\/span>\n\t\t\t\n\t\t\t\t12:00 pm\t\t\t<\/span>\n\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t – \t\t\t\t<\/span>\n\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t1:30 pm\t\t\t\t<\/span>\n\t\t\t\n\t\t\t\t\t\t<\/p>\n<\/div>\n\n\n

\n\t\t\t Gratuito <\/span>\n\t\t<\/div>\n\n\n
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A cargo de Doreen R\u00edos*\u00a0<\/strong><\/p>\n\n\n\n

Desde hace poco m\u00e1s de 30 a\u00f1os el consumo, creaci\u00f3n y distribuci\u00f3n de material digital entre las masas ha sido posible a trav\u00e9s de Internet. Esto ha hecho que, como propone el te\u00f3rico William J. Mitchell, la WWW se haya encargado de “reemplazar espacios, reconfigurando el cuerpo social y los contextos arquitect\u00f3nicos”. (Mitchell 2003). Adoptando la postura y el pensamiento de Mitchell, podemos analizar las formas en que “la gente utiliza las met\u00e1foras y los paradigmas de la creaci\u00f3n de espacios para informar la construcci\u00f3n de sus \u00e1goras electr\u00f3nicas” y podemos reconocer a Internet como “el primer contendiente serio para hacer algunas de las cosas que la arquitectura siempre ha hecho: crear lugares para hacer, para ver y para ser visto.” (Lunenfeld 1999) Tomando esta reflexi\u00f3n como punto de partida, nos resulta interesante preguntarnos: \u00bfqu\u00e9 ocurre cuando tres d\u00e9cadas de materialidades digitales, que han estado ligadas a plataformas y dispositivos, se integran ahora m\u00e1s que nunca profundamente en nuestra vida cotidiana?, \u00bfd\u00f3nde radica el valor de los objetos digitales?, \u00bfqu\u00e9 implicaciones pol\u00edticas conlleva la producci\u00f3n y distribuci\u00f3n de obra a trav\u00e9s de Internet? \u00a0<\/p>\n\n\n\n

Las materialidades digitales, tal y como se perciben cuando forman parte de una producci\u00f3n creativa, comprenden una mezcla de tecnolog\u00edas, dibujo computarizado, inteligencia artificial, bases de datos, modelado digital, etc. y todo lo que ello conlleva, enmarcado en las disciplinas de procesos creativos m\u00e1s amplios. Esta charla se centrar\u00e1 en dar sentido a las vulnerabilidades y posibilidades de trabajar con materialidades digitales, a la vez que se analiza c\u00f3mo esto conecta con la distribuci\u00f3n de contenidos art\u00edsticos en Internet y reflexiona acerca de algunas de las consideraciones que subyacen a la manipulaci\u00f3n, archivo y mediaci\u00f3n que esta producci\u00f3n art\u00edstica requiere.<\/p>\n\n\n\n

*<\/strong>Doreen R\u00edos (Toluca, M\u00e9xico, 1992) es curadora e investigadora. Su trabajo se enfoca en el arte digital, pr\u00e1cticas post-digitales y nuevas materialidades. Fundadora de [ANTI]MATERIA, plataforma en l\u00ednea dedicada a la investigaci\u00f3n y exposici\u00f3n de arte producido a trav\u00e9s de medios digitales.<\/p>\n\n\n\n

Puedes ingresar a la charla a trav\u00e9s del siguiente enlace: https:\/\/cedia.zoom.us\/j\/82161520962<\/a><\/p>\n\n\n

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Plaza P\u00fablica<\/a><\/h3>\n\t<\/div>\n\n\t\n\t\t\t\t\t\t
\n\t\t\t\t\n\nMZ14, Panam\u00e1 y 9 de Octubre, esquina<\/span>\n\t\n\t\t
\n\t\tGuayaquil<\/span>,<\/span>\n\n\tGuayas<\/abbr>\n\n\n\tEcuador<\/span>\n\n<\/span>\n\n\t\t\t\t\t\t\t\t\t+ Google Map<\/a>\t\t\t\t\t\t\t<\/address>\n\t\t\n\t\t\n\t\t\t\n\t<\/div>\n\t\n
\n\t\n\n<\/iframe>\n<\/div>\n\n\t<\/div>\n","protected":false},"excerpt":{"rendered":"

A cargo de Doreen R\u00edos*\u00a0 Desde hace poco m\u00e1s de 30 a\u00f1os el consumo, creaci\u00f3n y distribuci\u00f3n de material digital entre las masas ha sido posible a trav\u00e9s de Internet. 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