{"id":12549,"date":"2021-01-27T17:16:28","date_gmt":"2021-01-27T22:16:28","guid":{"rendered":"http:\/\/www.uartes.edu.ec\/sitio\/?p=12549"},"modified":"2024-07-04T11:28:20","modified_gmt":"2024-07-04T16:28:20","slug":"el-peldano-de-enrique-tabara","status":"publish","type":"post","link":"https:\/\/www.uartes.edu.ec\/sitio\/en\/blog\/2021\/01\/27\/el-peldano-de-enrique-tabara\/","title":{"rendered":"El pelda\u00f1o de Enrique T\u00e1bara"},"content":{"rendered":"

Por Saidel Brito<\/em><\/p>\n\n\n\n

Con la partida de Enrique T\u00e1bara se nos ha ido uno de los m\u00e1s grandes artistas del siglo XX del Ecuador. Uno de los creadores m\u00e1s rupturistas y renovadores de la escena art\u00edstica nacional. Enrique fue el \u00faltimo gran purista de nuestra tradici\u00f3n pict\u00f3rica. Atraves\u00f3 con sagacidad el Expresionismo, el Realismo Social, el Constructivismo, el Informalismo, el Universalismo Constructivo, el Ancestralismo Pict\u00f3rico y la Abstracci\u00f3n para regalarnos, despu\u00e9s de 70 a\u00f1os de insaciable y sostenido trabajo, el universo visual de mayor calado sensorial y est\u00e9tico que nuestros contempor\u00e1neos puedan recordar.<\/p>\n\n\n\n

Las huellas que nos deja Enrique son inconmensurables: su ingreso a la Escuela de Bellas Artes de Guayaquil en 1946, su primera muestra individual a los 21 a\u00f1os en la Casa de la Cultura, su viaje a Espa\u00f1a en el 55, su experiencia con Tapies, Saura, Brossa y la Escuela de Barcelona, su retorno y triunfo en el sal\u00f3n de Julio del 67, sus Pata Pata<\/em>, la Bienal de Cuenca, su resguardo en Cuatro Mangas, su firma estampada en uno de los edificios de la UArtes en el centro de Guayaquil, pero, en especial, el afecto y la generosidad que nos dej\u00f3 a quienes lo conocimos, hicieron de sus 90 a\u00f1os, 11 meses y 4 d\u00edas de vida una gesta memorable.<\/p>\n\n\n\n

Mis vivencias personales con Enrique comenzaron hace 20 a\u00f1os cuando adquir\u00ed un cuadernillo in\u00e9dito de su autor\u00eda que conten\u00eda dibujos de reos e internos de la Penitenciar\u00eda del Litoral realizados en 1978. De ah\u00ed surgi\u00f3 el proyecto llamado Habeas Corpus<\/em> que exhib\u00ed en el 2004 en la galer\u00eda Dpm. Por delicadeza, los primeros bocetos de la serie se los present\u00e9 a Enrique en una visita a su casa-estudio en el barrio del Centenario. En tono bajo le hice saber que aquellos dibujos, extraviados y olvidados en el tiempo, estaban en mi poder y que realizar\u00eda con ellos una exposici\u00f3n individual.<\/p>\n\n\n\n

Habeas Corpus<\/em> no fue un homenaje, sino una conversaci\u00f3n, un di\u00e1logo que se enriqueci\u00f3 con el acto de potenciar lo que el artista hab\u00eda asumido en su momento como tibios bocetos o meras ilustraciones realizados bajo un impulso vivencial. Mis 14 cuadros fueron pintados con los dedos de las manos y los pies, en tonos del negro al blanco, y fueron acompa\u00f1ados de los 14 originales de T\u00e1bara perfectamente enmarcados y reunidos en un mismo espacio. A partir de aquella experiencia, tuve una mayor conciencia de las implicaciones de su obra y sobre la reverberaci\u00f3n que hab\u00eda causado en los artistas m\u00e1s j\u00f3venes y en la cultura de la ciudad; desde entonces mi admiraci\u00f3n y respeto por su trabajo solo han podido crecer y crecer.<\/p>\n\n\n\n

Hoy me atrevo a decir que Enrique T\u00e1bara, junto a Manuel Rend\u00f3n Seminario, Aracely Gilbert y Eduardo Sola Franco, conforman ese peque\u00f1o grupo de artistas \u201celegidos\u201d que, desde la Costa ecuatoriana, han llevado a nuestra visualidad a un pelda\u00f1o universal.<\/p>\n\n\n\n

En la imagen: el maestro Enrique T\u00e1bara en la visita que hizo a la clase de Po\u00e9ticas Pict\u00f3ricas de Saidel Brito, dentro del proyecto Residencia 103M en 2016.<\/p>","protected":false},"excerpt":{"rendered":"

Con la partida de Enrique T\u00e1bara se nos ha ido uno de los m\u00e1s grandes artistas del siglo XX del Ecuador. Uno de los creadores m\u00e1s rupturistas y renovadores de la escena art\u00edstica nacional. <\/p>","protected":false},"author":1,"featured_media":12550,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"cybocfi_hide_featured_image":"","footnotes":""},"categories":[82,157,75],"tags":[419],"infouartes":[],"class_list":["post-12549","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artes","category-artes-visuales","category-docentes","tag-tabara"],"acf":[],"yoast_head":"\nUniversidad de las Artes - El pelda\u00f1o de Enrique T\u00e1bara<\/title>\n<meta name=\"description\" content=\"Universidad de las Artes - El pelda\u00f1o de Enrique T\u00e1bara\" \/>\n<meta name=\"robots\" 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