{"id":34891,"date":"2022-12-23T18:35:00","date_gmt":"2022-12-23T23:35:00","guid":{"rendered":"http:\/\/www.uartes.edu.ec\/sitio\/?p=34891"},"modified":"2024-07-04T11:22:17","modified_gmt":"2024-07-04T16:22:17","slug":"artistas-docentes-uartes-presentan-pop-prop-ilich-castillo-da-detalles-de-la-muestra","status":"publish","type":"post","link":"https:\/\/www.uartes.edu.ec\/sitio\/en\/blog\/2022\/12\/23\/artistas-docentes-uartes-presentan-pop-prop-ilich-castillo-da-detalles-de-la-muestra\/","title":{"rendered":"Artistas docentes UArtes presentan POP & PROP; Ilich Castillo da detalles"},"content":{"rendered":"
Los artistas y docentes de la Universidad de las Artes Marco Alvarado, Saidel Brito, Ilich Castillo, William Hern\u00e1ndez y Marcos Restrepo son junto a Jorge Velarde los protagonistas de \u201cPOP & PROP\u201d, laboratorio de rotulaci\u00f3n, muestra que desde el pasado 8 de diciembre de 2022 se exhibe en el Museo Nacional del Cacao (Imbabura 201 y Panam\u00e1), donde se mantendr\u00e1 hasta el 5 de febrero del 2023. <\/p>\n\n\n\n
La exposici\u00f3n parte de un proyecto de investigaci\u00f3n radicado en la Universidad de las Artes, que re\u00fane a artistas interesados en di\u00e1logos con lenguajes gr\u00e1ficos. Se juntan aqu\u00ed la exploraci\u00f3n l\u00fadica de formas de comunicaci\u00f3n habituales en nuestra vida cotidiana, el se\u00f1alamiento de signos comunes a las ret\u00f3ricas del poder, retruecanos, juegos ling\u00fc\u00edsticos y otras derivas de las relaciones entre texto e imagen, muchas de ellas ya habituales en la po\u00e9tica de estos artistas. La curadur\u00eda es de Lupe \u00c1lvarez, tambi\u00e9n docente de nuestra instituci\u00f3n de educaci\u00f3n superior.<\/p>\n\n\n
\n<\/figure>\n<\/div>\n\n\n
Ilich Castillo, mentalizador de la muestra, es quien da detalles de la propuesta, respondiendo a inquietudes en torno de los intereses y motivaci\u00f3n para concebir este proyecto multigr\u00e1fico. Al respecto se\u00f1ala:<\/p>\n\n\n\n
\u201cEfectivamente, tal como los otros integrantes del proyecto comparto el mismo inter\u00e9s en el dibujo y otros lenguajes gr\u00e1ficos, tanto en mi rol como docente investigador y dentro de mi propia obra. Dicho medio, ha sido un recurso que hemos alineado con investigaciones colectivas en los \u00faltimos a\u00f1os, debido a sus m\u00faltiples posibilidades aglutinantes\u201d.<\/p>\n\n\n\n
Un ejemplo de esto, anota, fue la Brigada de Dibujantes (2011-2019), un colectivo de artistas y estudiantes provenientes del ITAE y luego de la UArtes, cuya relaci\u00f3n con el dibujo y el espacio p\u00fablico generaba proyectos que analizaban, entre otras cosas, fen\u00f3menos urbanos como la gentrificaci\u00f3n.<\/p>\n\n\n\n
\u201cAlgunas de estas acciones fueron Espacio S\u00ed, Lugar No, (2012), donde una casa del barrio Domingo Savio se convirti\u00f3 en un palimpsesto gr\u00e1fico antes de su fase de demolici\u00f3n final; o Nacido y Criado (2015-2019), una especie de auto-etnograf\u00eda del barrio Cuba que termin\u00f3 en formato libro y en una exposici\u00f3n\u201d.<\/p>\n\n\n
\n<\/figure>\n<\/div>\n\n\n
\u201cPOP & PROP\u201d es tambi\u00e9n un pretexto para analizar y discutir problem\u00e1ticas que se relacionan con el dibujo desde nuestras propias po\u00e9ticas. En este caso, la din\u00e1mica colectiva adquiere otros matices, como, por ejemplo, asumir el formato m\u00e1s como un laboratorio donde el proceso es el \u201clugar de coincidencia\u201d conceptual. \u201cEn nuestro caso particular, el \u00e9nfasis del dibujo y con todos estos lenguajes gr\u00e1ficos es m\u00e1s bien un enlace con la naturaleza pol\u00edtica de lo proyectual, con la obra abierta en un sentido m\u00e1s especulativo donde el estatus de lo definitivo, de la exposici\u00f3n cerrada, en realidad no es m\u00e1s que una apariencia posible\u201d.<\/p>\n\n\n\n
Castillo agrega que tambi\u00e9n son la oportunidad para experimentar transiciones en nuestras propias po\u00e9ticas, \u201calgo que como artistas necesitamos realizar permanentemente. Por otra parte, aunque los proyectos que se presentan actualmente en el Museo Nacional del Cacao en este momento poseen un talante individual, se pretende que este contacto nos permita activar encuentros y colaboraciones a futuro que retomen el inter\u00e9s por el medio en sus diversas diseminaciones funcionales esparcidas en la esfera p\u00fablica\u201d.<\/p>\n\n\n\n
El artista y docente considera tambi\u00e9n justo destacar la interesante coyuntura expositiva en la que se inscribe la muestra, a decir, la presentaci\u00f3n del proyecto \u201cEscuela de Pintura de Guayaquil\u201d. \u201cEn ese sentido, varias obras que se exhiben ah\u00ed tambi\u00e9n conversan como antecedentes leg\u00edtimos de lo que proponemos con POP & PROP\u201d.<\/p>\n\n\n
\n<\/figure>\n<\/div>\n\n\n
\u201cAdem\u00e1s, porque desde UMBRALES en 2004 uno de los grandes pendientes expositivos de nuestra ciudad podr\u00eda ser la ausencia de una mirada hist\u00f3rica que articule ese pasado reciente, donde el cartel, el afiche, el texto, la caricatura, las est\u00e9ticas de agit-prop etc. dialoguen deliberadamente con operaciones y estrategias m\u00e1s cercanas al mundo del arte que con los contextos antropol\u00f3gicos o t\u00e9cnicos donde se generaron\u201d.<\/p>\n\n\n\n
De cualquier manera, refiere Castillo, \u201ces notable que desde la Escuela de Artes Visuales de la UArtes todo este mecanismo expositivo se presente como engranajes complementarios que se retroalimentan e impulsan org\u00e1nicamente\u201d.<\/p>\n\n\n\n
As\u00ed como con Ilich Castillo, InfoUArtes dialogar\u00e1 con los otros protagonistas de \u201cPOP & PROP\u201d.<\/p>\n\n\n\n
Cabe anotar que para \u201cPOP & PROP\u201d la entrada es de adhesi\u00f3n voluntaria para nacionales y $5 para extranjeros.<\/p>\n\n\n\n
Texto\/Fotos: V\u00edctor Hugo Mendoza, estudiante de la Escuela de Artes Visuales. Edici\u00f3n: Carmen Cortez.<\/p>","protected":false},"excerpt":{"rendered":"
Los artistas y docentes UArtes Marco Alvarado, Saidel Brito, Ilich Castillo, William Hern\u00e1ndez y Marcos Restrepo son junto a Jorge Velarde los protagonistas de \u201cPOP & PROP\u201d, laboratorio de rotulaci\u00f3n, muestra que desde el 8 de diciembre de 2022 se exhibe en el Museo Nacional del Cacao (Imbabura 201 y Panam\u00e1), donde se mantendr\u00e1 hasta el 5 de febrero del 2023. Parte de un proyecto de investigaci\u00f3n radicado en la UArtes.<\/p>","protected":false},"author":10,"featured_media":34892,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"cybocfi_hide_featured_image":"","footnotes":""},"categories":[720,80,157,75],"tags":[891],"infouartes":[],"class_list":["post-34891","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-3d","category-academico","category-artes-visuales","category-docentes","tag-exposicion-de-artistas-docentes"],"acf":[],"yoast_head":"\n
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