{"id":59808,"date":"2024-07-25T20:10:00","date_gmt":"2024-07-26T01:10:00","guid":{"rendered":"https:\/\/www.uartes.edu.ec\/sitio\/?p=59808"},"modified":"2024-08-01T18:46:03","modified_gmt":"2024-08-01T23:46:03","slug":"maestria-en-artes-escenicas-hizo-en-possur-lecturas-indomitas-activacion-performatica-de-libros-de-artista","status":"publish","type":"post","link":"https:\/\/www.uartes.edu.ec\/sitio\/en\/blog\/2024\/07\/25\/maestria-en-artes-escenicas-hizo-en-possur-lecturas-indomitas-activacion-performatica-de-libros-de-artista\/","title":{"rendered":"Maestr\u00eda en Artes Esc\u00e9nicas hizo en Pos\u00b0Sur \u201cLecturas ind\u00f3mitas: activaci\u00f3n perform\u00e1tica de libros de artista\u201d"},"content":{"rendered":"
Bajo el t\u00edtulo de \u201cLecturas ind\u00f3mitas: activaci\u00f3n perform\u00e1tica de libros de artista\u201d, el martes 23 de julio, en el segundo de los tres d\u00edas del encuentro de sonoridades y visualidades Pos\u00b0Sur, se presentaron los trabajos de estudiantes del Laboratorio 3: Artes Esc\u00e9nicas en el campo expandido, en el cual se abordaron las relaciones entre imagen y sonido, las corpo-vocalidades y la escritura expandida. <\/p>\n\n\n\n
La propuesta para la presentaci\u00f3n, que corresponde a la maestr\u00eda de Artes Esc\u00e9nicas, fue intervenir un libro de segunda mano desde las provocaciones y caminos que abren los archivos sensibles personales.\u00a0Participaron Vanessa Guam\u00e1n, Tom\u00e1s Sandoval, Jordy Tapia, Anna J\u00e1come y Tamia S\u00e1nchez, quienes en la activaci\u00f3n perform\u00e1tica de los libros de artista propusieron, como se hab\u00eda anticipado, \u201cuna manera espec\u00edfica de leer sus obras\u201d.<\/p>\n\n\n\n
Jordy Tapia, uno de los maestrandos expositores, coment\u00f3 que los libros de autor que se llevaron a Pos\u00b0Sur fueron desarrollados a partir de materiales sensibles que desplegaron preguntas y abordajes de temas cruciales para sus proyectos de titulaci\u00f3n.<\/p>\n\n\n
\n<\/figure>\n<\/div>\n\n\n
\u201cEn lo que respecta a mi libro, el material sensible con el que trabaj\u00e9 fue una fotograf\u00eda de Chantal Regnault, en la que se ve a tres j\u00f3venes homosexuales posando frente a la c\u00e1mara. La particularidad que tiene esta y otras fotos similares que ha tomado esta fot\u00f3grafa es que las personas fotografiadas casi nunca miran a la c\u00e1mara\u201d.<\/p>\n\n\n\n
Tapia agreg\u00f3 que, a partir ese gesto de consciencia clara del registro fotogr\u00e1fico, lo llevaron hacia varios cuestionamientos: \u00bfpor qu\u00e9 estas personas posan espec\u00edficamente para la c\u00e1mara, pero no la miran voluntariamente?, \u00bfqu\u00e9 esconde este gesto y esta voluntad?, \u00bfpor qu\u00e9 este gesto se repite en varias personas?, \u00bfqu\u00e9 comunica este gesto sobre estas personas en su particularidad de g\u00e9nero y sexo?, \u00bfqu\u00e9 lecturas habilitan en la interpretaci\u00f3n de la foto?, \u00bfqu\u00e9 dice del registro fotogr\u00e1fico? y \u00bfqu\u00e9 argumenta del contexto?<\/p>\n\n\n\n
En el proceso de creaci\u00f3n de su obra, Jordy Tapia coment\u00f3 que en realidad no se trata de un libro, sino de un dispositivo transfotogr\u00e1fico que est\u00e1 elaborado con materiales reflectivos y contiene en su interior papel de fotograf\u00eda con una reflexi\u00f3n y un manual respecto a la transfotograf\u00eda. Asimismo, al ser un dispositivo que toma fotos, este objeto contiene una transfotograf\u00eda de la persona que lee el objeto.<\/p>\n\n\n
\n<\/figure>\n<\/div>\n\n\n
A la lectura perform\u00e1tica que realiz\u00f3, Tamia S\u00e1nchez la titul\u00f3 \u201cEl nacimiento de una voz\u201d. La alumni, docente y maestranda UArtes revel\u00f3 que trabaj\u00f3 con archivos sonoros de su primera infancia. \u201cAl desplegar estos archivos me pregunt\u00e9 por la escritura del sonido m\u00e1s all\u00e1 de las partituras y por la voz como vibraci\u00f3n y escucha antes de los c\u00f3digos ling\u00fc\u00edsticos. Estas preguntas se hicieron manifiesto, mismo que se introdujo en el libro con im\u00e1genes y textos en distintos tipos de papel\u201d.<\/p>\n\n\n\n
Para la presentaci\u00f3n, S\u00e1nchez dijo que ley\u00f3 el texto, acompa\u00f1ada de un video del libro en distintos espacios, mientras se escuchaban los archivos sonoros de su infancia. \u201cMe interesa el registro de los cuerpos, los espacios y los sonidos\u201d. <\/p>\n\n\n\n
Fotos: Las im\u00e1genes corresponden a la presentaci\u00f3n y fueron tomadas de la cuenta de Facebook de Posgrado e Investigaci\u00f3n en Artes. <\/p>","protected":false},"excerpt":{"rendered":"
Bajo el t\u00edtulo de \u201cLecturas ind\u00f3mitas: activaci\u00f3n perform\u00e1tica de libros de artista\u201d, el 23 de julio, en el segundo de los tres d\u00edas del encuentro Pos\u00b0Sur, se presentaron trabajos de estudiantes del Laboratorio 3: Artes Esc\u00e9nicas en el campo expandido. La muestra correspondi\u00f3 a la maestr\u00eda en Artes Esc\u00e9nicas. Jordy Tapia y Tamia S\u00e1nchez, maestrandos participantes, comparten la experiencia y dan detalles de sus obras.<\/p>","protected":false},"author":10,"featured_media":59811,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"cybocfi_hide_featured_image":"","footnotes":""},"categories":[80,75,76,284,264],"tags":[521],"infouartes":[],"class_list":["post-59808","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-academico","category-docentes","category-estudiantes","category-investigacion","category-maestrias","tag-encuentro"],"acf":[],"yoast_head":"\n
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