{"id":62907,"date":"2024-10-11T14:15:00","date_gmt":"2024-10-11T19:15:00","guid":{"rendered":"https:\/\/www.uartes.edu.ec\/sitio\/?p=62907"},"modified":"2024-10-21T14:52:57","modified_gmt":"2024-10-21T19:52:57","slug":"mesas-de-dialogo-y-presentaciones-de-manglar-2024","status":"publish","type":"post","link":"https:\/\/www.uartes.edu.ec\/sitio\/en\/blog\/2024\/10\/11\/mesas-de-dialogo-y-presentaciones-de-manglar-2024\/","title":{"rendered":"Mesas de di\u00e1logo y conciertos de Manglar"},"content":{"rendered":"
Mesas de di\u00e1logo y debate, talleres, conciertos y presentaciones de los resultados de las residencias comunitarias en barrios de Guayaquil, como Cerro del Carmen, Isla Trinitaria, Monte Sina\u00ed y Basti\u00f3n Popular, marcaron la tercera edici\u00f3n de \u201cManglar 2024: Encuentros de arte, educaci\u00f3n y espacio p\u00fablico\u201d, evento organizado por la carrera de Educaci\u00f3n Art\u00edstica Intercultural y el Departamento Transversal de la Universidad de las Artes.<\/p>\n\n\n\n
La cita arranc\u00f3 la ma\u00f1ana del lunes 7 de octubre en territorio, con la muestra de la residencia comunitaria de la Escuela del Cerro del Carmen. Al mediod\u00eda tuvo lugar su inauguraci\u00f3n, en la Plaza P\u00fablica del MZ14 Centro de Producci\u00f3n e Innovaci\u00f3n UArtes, con la participaci\u00f3n del rector William Herrera, los vicerrectores Olga L\u00f3pez y Bradley Hilgert, as\u00ed como de los directores de escuelas, docentes, estudiantes y administrativos.<\/p>\n\n\n\n
Byron Cevallos, coordinador de la carrera de Educaci\u00f3n Art\u00edstica Intercultural, hizo la presentaci\u00f3n del encuentro, mencionando el contenido de la agenda y sus componentes: \u201cIntermareal\u201d, que corresponde a la residencia de proyectos art\u00edsticos comunitarios en Guayaquil; Rizomas, espacio de intercambio de experiencias y aprendizajes con invitados nacionales y proyectos de investigaci\u00f3n y vinculaci\u00f3n de la UArtes; Aula abierta, talleres abiertos a la colectividad sobre metodolog\u00edas educativas en artes y experiencias de gesti\u00f3n cultural comunitaria; y asamblea \u201cMangle Rojo\u201d, programada para el final del evento, espacio en el que se recoger\u00e1n las experiencias y conclusiones de las cuatro propuestas en residencia.<\/p>\n\n\n
\n<\/figure>\n<\/div>\n\n\n
El invitado internacional Joseph Pierce, escritor y docente de Stony brook University, dict\u00f3 seguidamente la charla magistral \u201cEl cuerpo indio: desde la etno- a la indege-pornograf\u00eda\u201d. La primera jornada de Manglar 2024 concluy\u00f3 con la presentaci\u00f3n del Ensamble Andino de la Escuela de Artes Sonoras en la Plaza P\u00fablica del MZ14.<\/p>\n\n\n\n
En el segundo d\u00eda del encuentro, en la Plaza P\u00fablica del MZ14 se desarroll\u00f3 la primera de tres mesas de di\u00e1logo. El tema abordado fue \u201cExtractivismos, arte y resistencia comunitaria\u201d y participaron: Natalia Roca, del Colectivo Entretejidas; Jonathan Borbor, del Comit\u00e9 Forestal Comuna Ol\u00f3n; Alma Alvarado, coordinadora de la Juventud Huancavilca de la comuna ancestral Engabao y Abel Cabrera, de 20 a\u00f1os, uno de sus integrantes, quien destac\u00f3 la participaci\u00f3n que tienen en la promoci\u00f3n de la identidad y cultura, as\u00ed como la formaci\u00f3n y el fomento a iniciativas colectivas y actividades culturales que fortalezcan los lazos con sus ra\u00edces e incentiven la preservaci\u00f3n y toma de conciencia de sus historias. Moder\u00f3 el di\u00e1logo Ana Carrillo, docente y directora del Departamento Transversal.<\/p>\n\n\n\n
La jornada del martes 8 de octubre concluy\u00f3 con la proyecci\u00f3n y el foro \u201cCuando los Mangles se van (1984), de Camilo Luzuriaga, con quien se mantuvo un di\u00e1logo online v\u00eda Zoom. La presentaci\u00f3n la hizo Cineclub \u201cCinemaScape\u201d en la Sala de Cine del MZ14.<\/p>\n\n\n
\n<\/figure>\n<\/div>\n\n
\n<\/figure>\n<\/div>\n\n\n
Con la mesa de di\u00e1logo \u201cFortalecimiento de actores en territorio desde la cultura, el arte y el patrimonio inmaterial\u201d arranc\u00f3 el tercer d\u00eda de Manglar 2024 en la Plaza P\u00fablica del MZ14. Participaron Samuel Titua\u00f1a Lema, director de la Bienal Al Zur-Ich, en modalidad virtual; el alumnus Carlos Vizca\u00edno; y el docente Nicol\u00e1s Schvarzverg. Intervino como moderadora Mar\u00eda Jos\u00e9 Icaza, directora de Vinculaci\u00f3n con la Sociedad UArtes.<\/p>\n\n\n\n
El jueves 10 de octubre, en la mesa de di\u00e1logo se habl\u00f3 de \u201cTejer comunidades. M\u00e9todos de trabajo para la conformaci\u00f3n de espacios seguros\u201d, con la participaci\u00f3n de Priscila Aguirre, docente de la Escuela de Cine; Jorge Tigrero, docente de la Escuela de Literatura; y el alumnus Jordy Tapia. Moder\u00f3 el encuentro Yulianela P\u00e9rez, directora de Pol\u00edticas de Investigaci\u00f3n en Artes.<\/p>\n\n\n\n
Dos presentaciones marcaron el cierre del final del encuentro: \u201cManglar El\u00e9ctrico\u201d, con las intervenciones de los docentes de la Escuela de Artes Sonoras: Rub\u00e9n Riera, Adina Izarra y Meining Cheung, quien es tambi\u00e9n secretaria de Aseguramiento de la Calidad en la Educaci\u00f3n; tuvo lugar en la Sala de Experimentaci\u00f3n Sonora del MZ14. El segundo concierto se dio en la terraza con el Ensamble M\u00fasicas de Pac\u00edfico de la EAS, que brind\u00f3 \u201cMarimbeando Sabroso\u201d, y Fabrikante, conocido como el poeta del rap ecuatoriano.<\/p>\n\n\n\n\n<\/figure>\n\n\n\n<\/figure>\n<\/figure>\n\n\n\n\n<\/figure>\n\n\n\n<\/figure>\n<\/figure>\n\n\n\n
<\/p>","protected":false},"excerpt":{"rendered":"
Los extractivismos, artes y resistencia comunitaria fueron \u2013junto con el fortalecimiento de actores en territorio y los m\u00e9todos de trabajo para la conformaci\u00f3n de espacios seguros\u2013 los temas que se abordaron en las mesas de di\u00e1logo de \u201cManglar 2024: Encuentros de arte, educaci\u00f3n y espacio p\u00fablico\u201d. La cita, organizada por la Universidad de las Artes, tuvo tambi\u00e9n talleres, conciertos y presentaciones de resultados de las residencias comunitarias realizadas en barrios de Guayaquil.<\/p>","protected":false},"author":10,"featured_media":62908,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"cybocfi_hide_featured_image":"","footnotes":""},"categories":[80,490,82,75,76,77,284,175,83,174,79],"tags":[414],"infouartes":[1289],"class_list":["post-62907","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-academico","category-alumni","category-artes","category-docentes","category-estudiantes","category-gestion","category-investigacion","category-literatura","category-sedes","category-transversal","category-vinculo","tag-encuentros","infouartes-investigar-las-artes"],"acf":[],"yoast_head":"\n
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