{"id":3585,"date":"2019-05-29T16:37:38","date_gmt":"2019-05-29T21:37:38","guid":{"rendered":"http:\/\/www.uartes.edu.ec\/sitio\/?p=3585"},"modified":"2024-07-04T11:51:08","modified_gmt":"2024-07-04T16:51:08","slug":"tecnologia-creacion-artistica-e-investigacion-se-fusionan-en-posorha","status":"publish","type":"post","link":"https:\/\/www.uartes.edu.ec\/sitio\/fr\/blog\/2019\/05\/29\/tecnologia-creacion-artistica-e-investigacion-se-fusionan-en-posorha\/","title":{"rendered":"Tecnolog\u00eda, creaci\u00f3n art\u00edstica e investigaci\u00f3n se fusionan en \u201cPosorha\u201d"},"content":{"rendered":"
\u201cPosorha\u201d es el tema de la charla que Rub\u00e9n Riera dictar\u00e1 en\nlas Conferencias de Audio y Sonido del Ecuador (CASE), el 5 de junio, a las\n10h00, en el espacio Altillo del Museo Nahim Isa\u00edas. El mismo d\u00eda y lugar, a\nlas 14h00, Adina Izarra tratar\u00e1 acerca de las \u201cHerramientas para la\nespacializaci\u00f3n en la m\u00fasica electr\u00f3nica\u201d. \nEl CASE es organizado por la Escuela de Artes Sonoras de la Universidad\nde las Artes y la Asociaci\u00f3n de Ingenieros de Audio y Sonido del Ecuador (AES,\npor sus siglas en ingl\u00e9s).<\/p>\n\n\n\n
Riera e Izarra son docentes de la carrera de Artes Sonoras,\nde la Universidad de las Artes, e integran un d\u00fao que combina la m\u00fasica\nelectr\u00f3nica e instrumentos antiguos de cuerda pulsada (tiorba, archiluto) y\nguitarra cl\u00e1sica. Su repertorio abarca interpretaciones de autores venezolanos como\nD\u00b4escriv\u00e1n, Marturet y Noya, composiciones propias e in\u00e9ditas, de ambos\nint\u00e9rpretes y remixes de autores europeos antiguos como De Vis\u00e9e y Downland. <\/p>\n\n\n\n
<\/figure><\/div>\n\n\n\n
El c\u00f3digo en vivo, los visuales improvisados, la m\u00fasica\nalgor\u00edtmica y la interactividad son solo algunos de los aspectos que vienen\ndesarrollando Riera e Izarra desde hace cerca de 10 a\u00f1os. Actualmente trabajan\nen el proyecto \u201cPosorha\u201d, basado en la leyenda que da nombre a este sector de General\nVillamil Playas.<\/p>\n\n\n\n
Se sustenta en el mito de una princesa huancavilca\nllamada Posorj\u00e1, quien lleg\u00f3 de ni\u00f1a a las costas en una balsa. Al crecer tuvo\nel don de la videncia y debido a esto Atahualpa lleg\u00f3 a su aldea. A \u00e9l\nle anunci\u00f3 el poco tiempo que estar\u00eda en el poder, pues llegar\u00edan unos hombres\nblancos y barbados que lo matar\u00edan tres tenerlo prisionero. Cuando Posorj\u00e1\ntermin\u00f3 esta revelaci\u00f3n declar\u00f3 que su misi\u00f3n en la tierra hab\u00eda terminado, ya\nque esa era su \u00faltima predestinaci\u00f3n. Tras su declaraci\u00f3n camin\u00f3 hacia el\nmar, sopl\u00f3 su caracol y una ola se la llev\u00f3.<\/p>\n\n\n\n
Dentro de este proyecto de improvisaci\u00f3n participa la\ncuentera \u00c1ngela Arboleda, quien cuenta la historia mientras Rub\u00e9n toca la\nguitarra y m\u00fasica electr\u00f3nica y Meining Cheung, los tambores. Sum\u00e1ndose a la musicalidad\nde la funci\u00f3n est\u00e1 Carolina Pepper. Ella interact\u00faa con unos sensores que son\nparte del escenario y que al momento de tocarlos emiten sonidos y forman parte\ndel todo. Adicionalmente, Adina Izarra realiza un video en vivo que posee fotos\nde elementos relacionados a la leyenda y que son manejados en vivo para que,\npor ejemplo, sigan a la bailarina mientras baila.<\/p>\n\n\n\n
<\/figure><\/div>\n\n\n\n
Izarra afirma que gracias a la improvisaci\u00f3n se crearon\nmomentos fascinantes que no hab\u00edan pautado o ensayado y lo bueno es la\ncompenetraci\u00f3n que existe con el equipo. Recalca, asimismo, la importancia de\nla participaci\u00f3n del p\u00fablico, ya que, al contrario de otras obras, son\ninvitados a unirse al espect\u00e1culo con juguetes sonoros, como pitos, cascabeles\ny maracas.<\/p>\n\n\n\n
\u201cPosorha\u201d nace de un proyecto de investigaci\u00f3n donde la\ntecnolog\u00eda apoya a la creatividad y creaci\u00f3n art\u00edstica, junto a leyendas o\ntem\u00e1ticas nacionales. Este busca ense\u00f1ar a las nuevas generaciones c\u00f3mo\nfunciona la m\u00fasica electr\u00f3nica y c\u00f3mo funcionan las nuevas tecnolog\u00edas, como\nlos sensores, ya que son econ\u00f3micos y su uso solo depende de la creatividad que\nse tenga. <\/p>","protected":false},"excerpt":{"rendered":"
\u201cPosorha\u201d es el tema de la charla que Rub\u00e9n Riera dictar\u00e1 en las Conferencias de Audio y Sonido del Ecuador (CASE), el 5 de junio, a las 10h00, en el espacio Altillo del Museo Nahim Isa\u00edas. El mismo d\u00eda y lugar, a las 14h00, Adina Izarra tratar\u00e1 acerca de las \u201cHerramientas para la espacializaci\u00f3n en […]<\/p>\n","protected":false},"author":1,"featured_media":3580,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"cybocfi_hide_featured_image":"","footnotes":""},"categories":[75],"tags":[],"infouartes":[],"class_list":["post-3585","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-docentes"],"acf":[],"yoast_head":"\n
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