{"id":37230,"date":"2023-01-20T19:30:00","date_gmt":"2023-01-21T00:30:00","guid":{"rendered":"http:\/\/www.uartes.edu.ec\/sitio\/?p=37230"},"modified":"2025-08-07T09:48:10","modified_gmt":"2025-08-07T14:48:10","slug":"yuliana-ortiz-profundiza-en-la-fiebre-de-carnaval-que-gano-el-iess-primo-romanzo-latinoamericano","status":"publish","type":"post","link":"https:\/\/www.uartes.edu.ec\/sitio\/fr\/blog\/2023\/01\/20\/yuliana-ortiz-profundiza-en-la-fiebre-de-carnaval-que-gano-el-iess-primo-romanzo-latinoamericano\/","title":{"rendered":"Yuliana Ortiz profundiza en la novela \u201cFiebre de Carnaval\u201d que gan\u00f3 el premio IESS Primo Romanzo Latinoamericano"},"content":{"rendered":"

\u201cFiebre de Carnaval\u201d, novela de la escritora Yuliana Ortiz Ruano, gan\u00f3 el premio IESS Primo Romanzo Latinoamericano. Publicada por Recodo Press y La Navaja Suiza, entre sus destacados est\u00e1 su enorme riqueza cultural y la solidez de su construcci\u00f3n narrativa. Su autora coment\u00f3 que la premiaci\u00f3n fue una completa sorpresa. Compiti\u00f3 junto a grandes postulados, por ello agradece a todas las personas que estuvieron detr\u00e1s de todo este proyecto y apreciaron todo lo que ella no vio de su novela.<\/p>\n\n\n\n

Su trabajo se basa en parte de las investigaciones sobre el concepto de \u201clenguaje naci\u00f3n\u201d del cr\u00edtico y escritor Kamau Brathwaite. Uno de los fen\u00f3menos que forma parte de este concepto es la m\u00fasica, que se resume como un lenguaje de las comunidades. Aquello compone los paisajes y lecturas de las obras del autor.<\/p>\n\n\n\n

\u201cFiebre de Carnaval\u201d trabaja con los significados de estas festividades: la memoria musical y su ritualismo que guarda fuertes relaciones con el baile y la liberaci\u00f3n. Yuliana explica que estas fechas son vistas como espacios de tolerancia hacia lo afrodescendiente, donde se puede ser negro libremente, por ello, estas festividades las considera \u201cperform\u00e1ticas\u201d, donde la esquizofrenia es una forma de devenir.<\/p>\n\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n

La historia centra la atenci\u00f3n en Ainhoa, una ni\u00f1a proveniente de la isla de Limones ubicada en Esmeraldas. Otro de los rasgos de la novela es la presencia de \u201cvoces infantes terribles\u201d basadas en el contexto de Esmeraldas. Ainhoa es la voz liberadora que ayuda a ver el mundo atravesado por la realidad de una ni\u00f1a racializada envuelta en violencia, secretos familiares y todas las complejidades en torno a la localidad de Limones y Esmeraldas en general.<\/p>\n\n\n\n

En cuanto a la g\u00e9nesis de los procesos de creaci\u00f3n de la novela, la escritora enfatiza que lejos de ser un proceso creativo, fue m\u00e1s una profunda investigaci\u00f3n en torno a varias problem\u00e1ticas actuales, indagaci\u00f3n de archivos hist\u00f3ricos, literarios y ampliaciones en la filosof\u00eda.<\/p>\n\n\n\n

Su exploraci\u00f3n en el archivo esclavista ha dado voz a muchos problemas que no se hablan en el pa\u00eds, casos que se creen resueltos, pero no es as\u00ed, por ejemplo, la abacalera de la empresa Furukawa, que maneja terribles pr\u00e1cticas de precarizaci\u00f3n laboral, en pocas palabras, esclavismo. Otra de sus menciones es el estado de muchas personas afrodescendientes, con falta de acceso a la educaci\u00f3n y la poca asignaci\u00f3n de recursos. Yuliana, tomando en cuante esta informaci\u00f3n, expresa que \u201cestos son problemas que est\u00e1n lejos de ser cosas del pasado, son cosas que se est\u00e1n viviendo y sufriendo\u201d.<\/p>\n\n\n\n

Yuliana Ortiz, graduada de la Escuela de Literatura de la Universidad de las Artes, actualmente se encuentra gestionando el programa \u201cMentidero de lectura: con todos los que soy\u201d junto al Vicerrectorado Acad\u00e9mico de la UArtes. Tambi\u00e9n est\u00e1 pr\u00f3xima a la publicaci\u00f3n a su libro de cuentos litorales. El a\u00f1o pasado public\u00f3 su poemario \u201cCuaderno de Pangea\u201d.<\/p>\n\n\n\n

Texto: Neysser Barber\u00e1n Rodr\u00edguez, estudiante de la Escuela de Literatura.<\/p>","protected":false},"excerpt":{"rendered":"

M\u00e1s que el resultado de un proceso de creaci\u00f3n, la g\u00e9nesis de la novela \u201cFiebre de Carnaval\u201d es la profunda investigaci\u00f3n de su autora, Yuliana Ortiz Ruano, en torno a varias problem\u00e1ticas actuales, indagaci\u00f3n de archivos hist\u00f3ricos, literarios y ampliaciones en la filosof\u00eda. La escritora, graduada de la Escuela de la Literatura de la UArtes, da detalles de su trabajo.<\/p>","protected":false},"author":10,"featured_media":37231,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"cybocfi_hide_featured_image":"","footnotes":""},"categories":[80,490,82,284],"tags":[527],"infouartes":[],"class_list":["post-37230","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-academico","category-alumni","category-artes","category-investigacion","tag-publicacion"],"acf":[],"yoast_head":"\nUniversidad de las Artes - Yuliana Ortiz profundiza en la novela \u201cFiebre de Carnaval\u201d que gan\u00f3 el premio IESS Primo Romanzo Latinoamericano<\/title>\n<meta name=\"description\" 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