{"id":96484,"date":"2026-08-25T19:12:00","date_gmt":"2026-08-26T00:12:00","guid":{"rendered":"https:\/\/www.uartes.edu.ec\/sitio\/?p=96484"},"modified":"2026-09-05T19:47:27","modified_gmt":"2026-09-06T00:47:27","slug":"el-cuerpo-humano-como-territorio-de-friccion-y-memoria-en-introduccion-a-la-incertidumbre","status":"publish","type":"post","link":"https:\/\/www.uartes.edu.ec\/sitio\/fr\/blog\/2026\/08\/25\/el-cuerpo-humano-como-territorio-de-friccion-y-memoria-en-introduccion-a-la-incertidumbre\/","title":{"rendered":"Fragmentaci\u00f3n del cuerpo que propicia una \u201cIntroducci\u00f3n a la incertidumbre\u201d"},"content":{"rendered":"

El cuerpo humano como territorio de fricci\u00f3n, residuo y autoconciencia es el eje central de Introducci\u00f3n a la incertidumbre<\/em>, muestra colectiva inaugurada el martes 18 de agosto en el primer piso del MZ14 Centro de Producci\u00f3n e Innovaci\u00f3n de la Universidad de las Artes.<\/p>\n\n\n\n

Bajo la tutor\u00eda del docente Daniel Alvarado y con la participaci\u00f3n de estudiantes de Procesos de Creaci\u00f3n II, la exposici\u00f3n articula una investigaci\u00f3n pl\u00e1stica que desaf\u00eda las lecturas convencionales de la materia org\u00e1nica y el espacio. A trav\u00e9s de la escultura, el videoarte, la instalaci\u00f3n textil y la fotograf\u00eda intervenida, las propuestas exploran los estados de inercia y suspensi\u00f3n que atraviesan la mente y la experiencia f\u00edsica cotidiana.<\/p>\n\n\n\n

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Desde el Semillero de Curadur\u00eda, el texto de sala, elaborado por Lesly Cruz, fundamenta la muestra como un mapeo de incongruencias y conversiones. En \u00e9l se concibe al cuerpo no como una estructura est\u00e1tica, sino como un organismo que \u201chabita, existe, explota y desiste\u201d, mutando en una masa espesa de sedimentos incapaz de mostrarse de forma un\u00edvoca.<\/p>\n\n\n\n

Este planteamiento curatorial hilvana la diversidad de formatos exhibidos, donde destacan obras de Maya Astudillo (Traducci\u00f3n de las danzas suf\u00edes de Gurdjieff<\/em>), Chris Chicaiza (Despu\u00e9s del cuerpo<\/em>), David Mideros (El informe<\/em>), Mar\u00eda Jos\u00e9 S\u00e1enz y Jos\u00e9 Pinto, este \u00faltimo con una pieza textil vestible para dos personas elaborada con envolturas de caramelos. La exposici\u00f3n re\u00fane, adem\u00e1s, el trabajo multidimensional de Alejandra Merino, Emily Constante, Romina Garc\u00eda, Naila Camilla, \u00c1mbar Arreaga y D\u00e9bora Barres.<\/p>\n\n\n

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Texto y fotos: Carmen Cortez\/Dircom.<\/p>\n\n\n\n

<\/p>","protected":false},"excerpt":{"rendered":"

La exposici\u00f3n colectiva \u201cIntroducci\u00f3n a la incertidumbre\u201d re\u00fane en el primer piso del MZ14 Centro de Producci\u00f3n e Innovaci\u00f3n de la Universidad de las Artes instalaciones escult\u00f3ricas, piezas textiles, videoarte y ensamblajes que indagan en la fragmentaci\u00f3n del cuerpo. La muestra es el resultado de los procesos formativos y art\u00edsticos de los estudiantes del docente Daniel Alvarado, en la asignatura Procesos de Creaci\u00f3n II. Se mantendr\u00e1 abierta hasta el 5 de septiembre pr\u00f3ximo.<\/p>","protected":false},"author":10,"featured_media":96485,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","_monsterinsights_skip_tracking":false,"cybocfi_hide_featured_image":"","footnotes":""},"categories":[80,82,157,76,77,83],"tags":[518],"infouartes":[],"class_list":["post-96484","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-academico","category-artes","category-artes-visuales","category-estudiantes","category-gestion","category-sedes","tag-produccion"],"acf":[],"yoast_head":"\nUniversidad de las Artes - Fragmentaci\u00f3n del cuerpo que propicia una \u201cIntroducci\u00f3n a la incertidumbre\u201d<\/title>\n<meta name=\"description\" content=\"Universidad de las Artes - Fragmentaci\u00f3n del cuerpo que propicia una \u201cIntroducci\u00f3n a la 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