{"id":1637,"date":"2021-03-25T14:13:00","date_gmt":"2021-03-25T19:13:00","guid":{"rendered":"http:\/\/www.uartes.edu.ec\/sitio\/preliminar\/?p=1637"},"modified":"2021-04-07T16:16:56","modified_gmt":"2021-04-07T21:16:56","slug":"la-quinta-sinfonia-a-medida","status":"publish","type":"post","link":"http:\/\/www.uartes.edu.ec\/sitio\/preliminar\/la-quinta-sinfonia-a-medida\/","title":{"rendered":"La Quinta Sinfon\u00eda, a medida"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\">Autor<\/h3>\n\n\n\n<p>Jos\u00e9 Cumbicos.<\/p>\n\n\n\n<div class=\"wp-block-getwid-icon-box getwid-animation has-icon-right has-text-left\" data-animation=\"pulse\"><div class=\"wp-block-getwid-icon-box__icon-container is-position-top\"><a href=\"http:\/\/www.uartes.edu.ec\/sitio\/preliminar\/download\/la-quinta-sinfonia-a-medida\/?wpdmdl=1559&amp;masterkey=605ca2a1a26e1\" class=\"wp-block-getwid-icon-box__icon-wrapper\"><i class=\"far fa-arrow-alt-circle-down\"><\/i><\/a><\/div><div class=\"wp-block-getwid-icon-box__content\">\n<h3 class=\"wp-block-heading\">Resumen<\/h3>\n\n\n\n<p>El presente trabajo tiene por objeto entender, relacionar y analizar La Sinfon\u00eda n\u00ba 5 en do menor, Op. 67 del compositor Ludwin van Beethoven y su contexto desde un plano filos\u00f3fico. El an\u00e1lisis musical nos permite comprender de una manera cercana la complejidad o sencillez del compositor y la esencia musical que representa la quinta sinfon\u00eda. Esta obra nos lleva por un patr\u00f3n r\u00edtmico como constante en el tiempo que dura la obra y que reposa como una repetici\u00f3n sonora incansablemente sobre el oyente, as\u00ed como por signos musicales incomprensibles que despiertan, evaden y confunden nuestra capacidad de entender su m\u00fasica.<\/p>\n<\/div><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Palabras claves<\/h3>\n\n\n\n<p>mesura, motivo, afinaci\u00f3n temperada, identidad.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">A\u00f1o de publicaci\u00f3n<\/h3>\n\n\n\n<p>2021<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Editor<\/h3>\n\n\n\n<p>Norberto Bayo<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Editores adjuntos<\/h3>\n\n\n\n<p>Ana Crespo y Carlos Rugel<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Editorial<\/h3>\n\n\n\n<p>Preliminar, Colecci\u00f3n Docentes<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Citaci\u00f3n<\/h3>\n\n\n\n<p>Cumbicos, Jos\u00e9. \u201cLa Quinta Sinfon\u00eda, a medida\u201d. En <em>250 a\u00f1os del nacimiento de Beethoven<\/em>. <em>Preliminar: cuadernos de trabajo<\/em>, N.\u00b0 2 (2021): 27-32.<\/p>\n","protected":false},"excerpt":{"rendered":"<p class=\"excerpt\">Autor: Jos\u00e9 Cumbicos.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"cybocfi_hide_featured_image":"","footnotes":""},"categories":[89,91],"tags":[110,120,112,119],"tnc_tax_2229":[],"class_list":["post-1637","post","type-post","status-publish","format-standard","hentry","category-docentes","category-literatura","tag-afinacion-temperada","tag-identidad","tag-mesura","tag-motivo"],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"tainacan-small":false,"tainacan-medium":false,"tainacan-medium-full":false,"tainacan-large-full":false,"layers-square-large":false,"layers-portrait-large":false,"layers-landscape-large":false,"layers-square-medium":false,"layers-portrait-medium":false,"layers-landscape-medium":false},"uagb_author_info":{"display_name":"Universidad de las Artes","author_link":"https:\/\/www.uartes.edu.ec\/sitio\/preliminar\/author\/dircomadm\/"},"uagb_comment_info":0,"uagb_excerpt":"Autor: Jos\u00e9 Cumbicos.","distributor_meta":false,"distributor_terms":false,"distributor_media":false,"distributor_original_site_name":"Preliminar","distributor_original_site_url":"https:\/\/www.uartes.edu.ec\/sitio\/preliminar","push-errors":false,"_links":{"self":[{"href":"https:\/\/www.uartes.edu.ec\/sitio\/preliminar\/wp-json\/wp\/v2\/posts\/1637","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.uartes.edu.ec\/sitio\/preliminar\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.uartes.edu.ec\/sitio\/preliminar\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.uartes.edu.ec\/sitio\/preliminar\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.uartes.edu.ec\/sitio\/preliminar\/wp-json\/wp\/v2\/comments?post=1637"}],"version-history":[{"count":2,"href":"https:\/\/www.uartes.edu.ec\/sitio\/preliminar\/wp-json\/wp\/v2\/posts\/1637\/revisions"}],"predecessor-version":[{"id":1790,"href":"https:\/\/www.uartes.edu.ec\/sitio\/preliminar\/wp-json\/wp\/v2\/posts\/1637\/revisions\/1790"}],"wp:attachment":[{"href":"https:\/\/www.uartes.edu.ec\/sitio\/preliminar\/wp-json\/wp\/v2\/media?parent=1637"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.uartes.edu.ec\/sitio\/preliminar\/wp-json\/wp\/v2\/categories?post=1637"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.uartes.edu.ec\/sitio\/preliminar\/wp-json\/wp\/v2\/tags?post=1637"},{"taxonomy":"tnc_tax_2229","embeddable":true,"href":"https:\/\/www.uartes.edu.ec\/sitio\/preliminar\/wp-json\/wp\/v2\/tnc_tax_2229?post=1637"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}