{"id":1639,"date":"2021-03-25T14:15:00","date_gmt":"2021-03-25T19:15:00","guid":{"rendered":"http:\/\/www.uartes.edu.ec\/sitio\/preliminar\/?p=1639"},"modified":"2021-04-07T16:04:24","modified_gmt":"2021-04-07T21:04:24","slug":"beethoven-tormenta-appassionata","status":"publish","type":"post","link":"http:\/\/www.uartes.edu.ec\/sitio\/preliminar\/beethoven-tormenta-appassionata\/","title":{"rendered":"Beethoven: tormenta appassionata"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\">Autor<\/h3>\n\n\n\n<p>Javier Anchundia.<\/p>\n\n\n\n<div class=\"wp-block-getwid-icon-box getwid-animation has-icon-right has-text-left\" data-animation=\"pulse\"><div class=\"wp-block-getwid-icon-box__icon-container is-position-top\"><a href=\"http:\/\/www.uartes.edu.ec\/sitio\/preliminar\/download\/beethoven-tormenta-appassionata\/?wpdmdl=1560&amp;masterkey=605ca2f0e5646\" class=\"wp-block-getwid-icon-box__icon-wrapper\"><i class=\"far fa-arrow-alt-circle-down\"><\/i><\/a><\/div><div class=\"wp-block-getwid-icon-box__content\">\n<h3 class=\"wp-block-heading\">Resumen<\/h3>\n\n\n\n<p>En sus obras Ludwing van Bethoven expresa sentimientos y emociones con componentes est\u00e9ticos rom\u00e1nticos, sentimientos sobrenaturales los cuales nos hacen experimentar sensaciones que nos alejan de la realidad y nos acerca a lo siniestro. En su Obra \u201cAppassionata\u201d transmite dos emociones, la calma y el caos, representa la naturaleza con sus momentos de furia y de tranquilidad, sensaciones que son transmitidas por cada una de las notas del piano, las cuales con su intensidad resalta el drama en la historia de la obra. El contenido de esta obra es producto de la raz\u00f3n del autor donde cada acci\u00f3n ha sido pensada y cada sonido es razonado por el espectador. Estos contenidos dram\u00e1ticos muchas veces transmiten sensaciones cercanas a lo tr\u00e1gico, y esta sensaci\u00f3n de tragedia intervienen en las emociones del hombre, conmovi\u00e9ndolo y haci\u00e9ndole ver lo bello del mundo.<\/p>\n<\/div><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Palabras claves<\/h3>\n\n\n\n<p>dramma per m\u00fasica, sublime, tragedia, infinitud.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">A\u00f1o de publicaci\u00f3n<\/h3>\n\n\n\n<p>2021<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Editor<\/h3>\n\n\n\n<p>Norberto Bayo<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Editores adjuntos<\/h3>\n\n\n\n<p>Ana Crespo y Carlos Rugel<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Editorial<\/h3>\n\n\n\n<p>Preliminar, Colecci\u00f3n Docentes<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Citaci\u00f3n<\/h3>\n\n\n\n<p>Anchundia, Javier. \u201cBeethoven: tormenta appasionata\u201d. En <em>250 a\u00f1os del nacimiento de Beethoven<\/em>. <em>Preliminar: cuadernos de trabajo<\/em>, N.o 2 (2021): 33-38.<\/p>\n","protected":false},"excerpt":{"rendered":"<p class=\"excerpt\">Autor: Javier Anchundia.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"cybocfi_hide_featured_image":"","footnotes":""},"categories":[89,91],"tags":[117,118,116,115],"tnc_tax_2229":[],"class_list":["post-1639","post","type-post","status-publish","format-standard","hentry","category-docentes","category-literatura","tag-dramma-per-musica","tag-infinitud","tag-sublime","tag-tragedia"],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"tainacan-small":false,"tainacan-medium":false,"tainacan-medium-full":false,"tainacan-large-full":false,"layers-square-large":false,"layers-portrait-large":false,"layers-landscape-large":false,"layers-square-medium":false,"layers-portrait-medium":false,"layers-landscape-medium":false},"uagb_author_info":{"display_name":"Universidad de las Artes","author_link":"https:\/\/www.uartes.edu.ec\/sitio\/preliminar\/author\/dircomadm\/"},"uagb_comment_info":0,"uagb_excerpt":"Autor: Javier Anchundia.","distributor_meta":false,"distributor_terms":false,"distributor_media":false,"distributor_original_site_name":"Preliminar","distributor_original_site_url":"https:\/\/www.uartes.edu.ec\/sitio\/preliminar","push-errors":false,"_links":{"self":[{"href":"https:\/\/www.uartes.edu.ec\/sitio\/preliminar\/wp-json\/wp\/v2\/posts\/1639","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.uartes.edu.ec\/sitio\/preliminar\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.uartes.edu.ec\/sitio\/preliminar\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.uartes.edu.ec\/sitio\/preliminar\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.uartes.edu.ec\/sitio\/preliminar\/wp-json\/wp\/v2\/comments?post=1639"}],"version-history":[{"count":2,"href":"https:\/\/www.uartes.edu.ec\/sitio\/preliminar\/wp-json\/wp\/v2\/posts\/1639\/revisions"}],"predecessor-version":[{"id":1792,"href":"https:\/\/www.uartes.edu.ec\/sitio\/preliminar\/wp-json\/wp\/v2\/posts\/1639\/revisions\/1792"}],"wp:attachment":[{"href":"https:\/\/www.uartes.edu.ec\/sitio\/preliminar\/wp-json\/wp\/v2\/media?parent=1639"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.uartes.edu.ec\/sitio\/preliminar\/wp-json\/wp\/v2\/categories?post=1639"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.uartes.edu.ec\/sitio\/preliminar\/wp-json\/wp\/v2\/tags?post=1639"},{"taxonomy":"tnc_tax_2229","embeddable":true,"href":"https:\/\/www.uartes.edu.ec\/sitio\/preliminar\/wp-json\/wp\/v2\/tnc_tax_2229?post=1639"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}