{"id":378,"date":"2020-05-21T18:21:05","date_gmt":"2020-05-21T18:21:05","guid":{"rendered":"http:\/\/localhost\/pre-liminar\/?p=378"},"modified":"2021-04-06T16:57:45","modified_gmt":"2021-04-06T21:57:45","slug":"sonidos-muerte","status":"publish","type":"post","link":"http:\/\/www.uartes.edu.ec\/sitio\/preliminar\/sonidos-muerte\/","title":{"rendered":"El sonido de la muerte"},"content":{"rendered":"\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"El sonido de la muerte \u00b7 Dominik Erazo\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/TOOrCcShJME?list=PLy9Rm1YE7QdTSgem3me756jXoHh8fyF0P\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Autor<\/h3>\n\n\n\n<p>Dominik Erazo<\/p>\n\n\n\n<div class=\"wp-block-getwid-icon-box getwid-animation has-icon-right has-text-left\" data-animation=\"pulse\"><div class=\"wp-block-getwid-icon-box__icon-container is-position-top\"><a href=\"http:\/\/www.uartes.edu.ec\/sitio\/preliminar\/download\/el-sonido-de-la-muerte\/?wpdmdl=1576&amp;masterkey=605cb4b4ea08a\" class=\"wp-block-getwid-icon-box__icon-wrapper\"><i class=\"far fa-arrow-alt-circle-down\"><\/i><\/a><\/div><div class=\"wp-block-getwid-icon-box__content\">\n<h3 class=\"wp-block-heading\">Resumen<\/h3>\n\n\n\n<p>\u201cEl sonido de la muerte\u201d es un proyecto documental que aborda la tem\u00e1tica de la muerte a trav\u00e9s de la representaci\u00f3n simb\u00f3lica de las tumbas. Mediante m\u00e1s de 350 im\u00e1genes de las tumbas del Cementerio General de Anconcito, provincia de Santa Elena, Ecuador, se generaron sonidos individuales de cada una de las im\u00e1genes en la programaci\u00f3n Python.<\/p>\n\n\n\n<p>Los medios usados para su desarrollo son el transc\u00f3digo y la automatizaci\u00f3n, que consisten en la interpretaci\u00f3n y traducci\u00f3n de las im\u00e1genes a ondas sonoras por medio de un algoritmo matem\u00e1tico. En esta obra est\u00e1n vinculadas las po\u00e9ticas del mar, la percepci\u00f3n de la muerte en la cotidianidad, la memoria y el olvido impregnados en los cementerios.<\/p>\n<\/div><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Palabras Claves<\/strong><\/h3>\n\n\n\n<p>Muerte, memoria, olvido, mar, transc\u00f3digo, automatizaci\u00f3n<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Fecha de Publicaci\u00f3n<\/strong><\/h3>\n\n\n\n<p>2020<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Editorial<\/strong><\/h3>\n\n\n\n<p>Preliminar<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Citaci\u00f3n<\/strong><\/h3>\n\n\n\n<p>Erazo, Dominik \u201cSonidos de la muerte\u201d. Preliminar, n.\u00b01 (2020).<\/p>\n","protected":false},"excerpt":{"rendered":"<p class=\"excerpt\">Autor: Dominik Erazo.<\/p>\n","protected":false},"author":15,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"cybocfi_hide_featured_image":"","footnotes":""},"categories":[88,94],"tags":[9,35,36,40,44,59],"tnc_tax_2229":[],"class_list":["post-378","post","type-post","status-publish","format-standard","hentry","category-estudiantes","category-video","tag-automatizacion","tag-mar","tag-memoria","tag-muerte","tag-olvido","tag-transcodigo"],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"tainacan-small":false,"tainacan-medium":false,"tainacan-medium-full":false,"tainacan-large-full":false,"layers-square-large":false,"layers-portrait-large":false,"layers-landscape-large":false,"layers-square-medium":false,"layers-portrait-medium":false,"layers-landscape-medium":false},"uagb_author_info":{"display_name":"","author_link":"https:\/\/www.uartes.edu.ec\/sitio\/preliminar\/author\/"},"uagb_comment_info":0,"uagb_excerpt":"Autor: Dominik Erazo.","distributor_meta":false,"distributor_terms":false,"distributor_media":false,"distributor_original_site_name":"Preliminar","distributor_original_site_url":"https:\/\/www.uartes.edu.ec\/sitio\/preliminar","push-errors":false,"_links":{"self":[{"href":"https:\/\/www.uartes.edu.ec\/sitio\/preliminar\/wp-json\/wp\/v2\/posts\/378","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.uartes.edu.ec\/sitio\/preliminar\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.uartes.edu.ec\/sitio\/preliminar\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.uartes.edu.ec\/sitio\/preliminar\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/www.uartes.edu.ec\/sitio\/preliminar\/wp-json\/wp\/v2\/comments?post=378"}],"version-history":[{"count":13,"href":"https:\/\/www.uartes.edu.ec\/sitio\/preliminar\/wp-json\/wp\/v2\/posts\/378\/revisions"}],"predecessor-version":[{"id":1779,"href":"https:\/\/www.uartes.edu.ec\/sitio\/preliminar\/wp-json\/wp\/v2\/posts\/378\/revisions\/1779"}],"wp:attachment":[{"href":"https:\/\/www.uartes.edu.ec\/sitio\/preliminar\/wp-json\/wp\/v2\/media?parent=378"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.uartes.edu.ec\/sitio\/preliminar\/wp-json\/wp\/v2\/categories?post=378"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.uartes.edu.ec\/sitio\/preliminar\/wp-json\/wp\/v2\/tags?post=378"},{"taxonomy":"tnc_tax_2229","embeddable":true,"href":"https:\/\/www.uartes.edu.ec\/sitio\/preliminar\/wp-json\/wp\/v2\/tnc_tax_2229?post=378"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}