{"id":3188,"date":"2022-04-29T10:34:26","date_gmt":"2022-04-29T15:34:26","guid":{"rendered":"http:\/\/www.uartes.edu.ec\/sitio\/preliminar\/?post_type=tnc_col_2162_item&#038;p=3188"},"modified":"2022-05-03T10:45:09","modified_gmt":"2022-05-03T15:45:09","slug":"muerte-y-libertad","status":"publish","type":"tnc_col_2162_item","link":"http:\/\/www.uartes.edu.ec\/sitio\/preliminar\/manuscritos\/muerte-y-libertad\/","title":{"rendered":"Muerte y libertad"},"content":{"rendered":"<p>Han transcurrido 250 a\u00f1os del nacimiento de Ludwig van Beethoven, 193 de su muerte, y a pesar de este tiempo, el m\u00fasico alem\u00e1n parece estar m\u00e1s vivo que nunca. Tratar\u00e9 de aproximarme al compositor analizando la novena sinfon\u00eda, donde Beethoven se enuncia como el ser arrojado al \u201cfuturo\u201d, el ser que se presenta como posibilidad, el ser que es para la muerte y la libertad al mismo tiempo. Para la libertad por ser un transgresor desde los propios esquemas del periodo cl\u00e1sico al que pertenec\u00eda y para la muerte porque es un esp\u00edritu resonando entre vivos, siendo el puente hacia una nueva m\u00fasica.<\/p>\n","protected":false},"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","format":"standard","tnc_tax_2229":[240],"class_list":["post-3188","tnc_col_2162_item","type-tnc_col_2162_item","status-publish","format-standard","hentry","tnc_tax_2722-academico","tnc_tax_2231-preliminar-2","tnc_tax_2229-docentes","tnc_tax_2227-absolute","tnc_tax_2227-beethoveen","tnc_tax_2227-consonances","tnc_tax_2227-organicity","tnc_tax_2227-sublime","tnc_tax_2225-absoluto","tnc_tax_2225-beethoveen","tnc_tax_2225-consonancias","tnc_tax_2225-organicidad","tnc_tax_2225-sublime","tnc_tax_2223-carlos-ferrin"],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"tainacan-small":false,"tainacan-medium":false,"tainacan-medium-full":false,"tainacan-large-full":false,"layers-square-large":false,"layers-portrait-large":false,"layers-landscape-large":false,"layers-square-medium":false,"layers-portrait-medium":false,"layers-landscape-medium":false},"uagb_author_info":{"display_name":"Universidad de las Artes","author_link":"https:\/\/www.uartes.edu.ec\/sitio\/preliminar\/author\/"},"uagb_comment_info":0,"uagb_excerpt":"Han transcurrido 250 a\u00f1os del nacimiento de Ludwig van Beethoven, 193 de su muerte, y a pesar de este tiempo, el m\u00fasico alem\u00e1n parece estar m\u00e1s vivo que nunca. Tratar\u00e9 de aproximarme al compositor analizando la novena sinfon\u00eda, donde Beethoven se enuncia como el ser arrojado al \u201cfuturo\u201d, el ser que se presenta como posibilidad,&hellip;","distributor_meta":false,"distributor_terms":false,"distributor_media":false,"distributor_original_site_name":"Preliminar","distributor_original_site_url":"https:\/\/www.uartes.edu.ec\/sitio\/preliminar","push-errors":false,"_links":{"self":[{"href":"https:\/\/www.uartes.edu.ec\/sitio\/preliminar\/wp-json\/wp\/v2\/tnc_col_2162_item\/3188","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.uartes.edu.ec\/sitio\/preliminar\/wp-json\/wp\/v2\/tnc_col_2162_item"}],"about":[{"href":"https:\/\/www.uartes.edu.ec\/sitio\/preliminar\/wp-json\/wp\/v2\/types\/tnc_col_2162_item"}],"replies":[{"embeddable":true,"href":"https:\/\/www.uartes.edu.ec\/sitio\/preliminar\/wp-json\/wp\/v2\/comments?post=3188"}],"version-history":[{"count":1,"href":"https:\/\/www.uartes.edu.ec\/sitio\/preliminar\/wp-json\/wp\/v2\/tnc_col_2162_item\/3188\/revisions"}],"predecessor-version":[{"id":3278,"href":"https:\/\/www.uartes.edu.ec\/sitio\/preliminar\/wp-json\/wp\/v2\/tnc_col_2162_item\/3188\/revisions\/3278"}],"wp:attachment":[{"href":"https:\/\/www.uartes.edu.ec\/sitio\/preliminar\/wp-json\/wp\/v2\/media?parent=3188"}],"wp:term":[{"taxonomy":"tnc_tax_2229","embeddable":true,"href":"https:\/\/www.uartes.edu.ec\/sitio\/preliminar\/wp-json\/wp\/v2\/tnc_tax_2229?post=3188"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}