{"id":320,"date":"2023-08-29T15:34:39","date_gmt":"2023-08-29T20:34:39","guid":{"rendered":"https:\/\/www.uartes.edu.ec\/sitio\/sonocordia\/?p=320"},"modified":"2024-05-20T14:35:01","modified_gmt":"2024-05-20T19:35:01","slug":"volumen-3-n-7","status":"publish","type":"post","link":"http:\/\/www.uartes.edu.ec\/sitio\/sonocordia\/2023\/08\/29\/volumen-3-n-7\/","title":{"rendered":"Volumen 3\/N\u00b0 7"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:30%\">\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"723\" height=\"1024\" src=\"https:\/\/www.uartes.edu.ec\/sitio\/sonocordia\/wp-content\/uploads\/sites\/15\/2023\/08\/SC7-SONOCORDIA-VOL3-N7-WEB-FINAL-1-723x1024.jpg\" alt=\"\" class=\"wp-image-322\" srcset=\"https:\/\/www.uartes.edu.ec\/sitio\/sonocordia\/wp-content\/uploads\/sites\/15\/2023\/08\/SC7-SONOCORDIA-VOL3-N7-WEB-FINAL-1-723x1024.jpg 723w, https:\/\/www.uartes.edu.ec\/sitio\/sonocordia\/wp-content\/uploads\/sites\/15\/2023\/08\/SC7-SONOCORDIA-VOL3-N7-WEB-FINAL-1-212x300.jpg 212w, https:\/\/www.uartes.edu.ec\/sitio\/sonocordia\/wp-content\/uploads\/sites\/15\/2023\/08\/SC7-SONOCORDIA-VOL3-N7-WEB-FINAL-1-768x1087.jpg 768w, https:\/\/www.uartes.edu.ec\/sitio\/sonocordia\/wp-content\/uploads\/sites\/15\/2023\/08\/SC7-SONOCORDIA-VOL3-N7-WEB-FINAL-1-600x850.jpg 600w, https:\/\/www.uartes.edu.ec\/sitio\/sonocordia\/wp-content\/uploads\/sites\/15\/2023\/08\/SC7-SONOCORDIA-VOL3-N7-WEB-FINAL-1.jpg 1000w\" sizes=\"(max-width: 723px) 100vw, 723px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SONOCORDIA<\/strong>. Revista de artes sonoras y producci\u00f3n musical<br>Universidad de las Artes<br>Volumen 3, N\u00famero 7. Mayo 2023<br>ISSN 2697-3545 2953-657X<\/p>\n\n\n\n<p><strong>SONOCORDIA<\/strong>. Revista de artes sonoras y producci\u00f3n musical es una propuesta editorial cient\u00edfica, colectiva y arbitrada acad\u00e9micamente que nace en la Escuela de Artes Sonoras (EAS) de la Universidad de las Artes (Guayaquil, Ecuador), con la intenci\u00f3n de  difundir investigaci\u00f3n acad\u00e9mica y partituras in\u00e9ditas de composici\u00f3n sonora.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:30%\">\n<p><a href=\"https:\/\/www.uartes.edu.ec\/sitio\/download\/sc7-sonocordia-vol3-n7-web-final-pdf\/?wpdmdl=46297&amp;masterkey\">DESCARGAR EL PDF COMPLETO DE LA VERSI\u00d3N IMPRESA DE LA REVISTA \u2192<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading\" id=\"introduccion\"><a href=\"https:\/\/www.uartes.edu.ec\/sitio\/download\/sc7-00-prologo-olga-lopez-pdf\/?wpdmdl=46303&amp;masterkey\">Pr\u00f3logo<\/a><\/h4>\n\n\n\n<p>Olga L\u00f3pez<\/p>\n\n\n\n<div style=\"height:45px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Art\u00edculos<\/h4>\n\n\n\n<p><a href=\"https:\/\/www.uartes.edu.ec\/sitio\/download\/sc7-01-14-canonazos-jua-esteban-herrera-pdf\/?wpdmdl=46302&amp;masterkey\">Los 14 ca\u00f1onazos bailables en dub: t\u00e9cnicas de remix aplicadas al archivo discogr\u00e1fico de Discos Fuentes \u2192<\/a><br>Juan Esteban Herrera<\/p>\n\n\n\n<p><a href=\"https:\/\/www.uartes.edu.ec\/sitio\/download\/sc7-02-metal-medallo-juan-diego-parra-valencia-pdf\/?wpdmdl=46301&amp;masterkey\">Metal Medallo. M\u00fasica, violencia y resistencias juveniles en Medell\u00edn, a\u00f1os 80 \u2192<\/a><br>Juan Diego Parra Valencia<\/p>\n\n\n\n<p><a href=\"https:\/\/www.uartes.edu.ec\/sitio\/download\/sc7-03-medellin-entre-dos-siglos-beatriz-elena-acosta-rios-pdf\/?wpdmdl=46300&amp;masterkey\">Medell\u00edn, entre dos siglos. Relaciones entre literatura y m\u00fasica en tres novelas urbanas \u2192<\/a><br>Beatriz Elena Acosta R\u00edos<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Partituras<\/h4>\n\n\n\n<p><a href=\"https:\/\/www.uartes.edu.ec\/sitio\/download\/sc7-04-fluir-enoc-delgado-pdf\/?wpdmdl=46299&amp;masterkey\">Fluir \u2192<\/a><br>Enoc Delgado<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Fuera de tono (miscel\u00e1neas)<\/h4>\n\n\n\n<p><a href=\"https:\/\/www.uartes.edu.ec\/sitio\/download\/sc7-05-entrevista-a-mariano-papari-sepulveda-meining-cheung-pdf\/?wpdmdl=46298&amp;masterkey\">Entrevista a Mariano \u00abPapar\u00ed\u00bb Sep\u00falveda \u2192<\/a><br>Meining Cheung Ruiz<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>SONOCORDIA. Revista de artes sonoras y producci\u00f3n musical<br \/>\nUniversidad de las Artes<br \/>\nVolumen 3, N\u00famero 7. Mayo 2023<br \/>\nISSN 2697-3545 2953-657X <a class=\"more-link\" href=\"http:\/\/www.uartes.edu.ec\/sitio\/sonocordia\/2023\/08\/29\/volumen-3-n-7\/\">Seguir leyendo <span class=\"screen-reader-text\">  Volumen 3\/N\u00b0 7<\/span><span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":322,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"cybocfi_hide_featured_image":"","footnotes":""},"categories":[5],"tags":[],"class_list":["post-320","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ediciones-anteriores"],"uagb_featured_image_src":{"full":["https:\/\/www.uartes.edu.ec\/sitio\/sonocordia\/wp-content\/uploads\/sites\/15\/2023\/08\/SC7-SONOCORDIA-VOL3-N7-WEB-FINAL-1.jpg",1000,1416,false],"thumbnail":["https:\/\/www.uartes.edu.ec\/sitio\/sonocordia\/wp-content\/uploads\/sites\/15\/2023\/08\/SC7-SONOCORDIA-VOL3-N7-WEB-FINAL-1-150x150.jpg",150,150,true],"medium":["https:\/\/www.uartes.edu.ec\/sitio\/sonocordia\/wp-content\/uploads\/sites\/15\/2023\/08\/SC7-SONOCORDIA-VOL3-N7-WEB-FINAL-1-212x300.jpg",212,300,true],"medium_large":["https:\/\/www.uartes.edu.ec\/sitio\/sonocordia\/wp-content\/uploads\/sites\/15\/2023\/08\/SC7-SONOCORDIA-VOL3-N7-WEB-FINAL-1-768x1087.jpg",530,750,true],"large":["https:\/\/www.uartes.edu.ec\/sitio\/sonocordia\/wp-content\/uploads\/sites\/15\/2023\/08\/SC7-SONOCORDIA-VOL3-N7-WEB-FINAL-1-723x1024.jpg",530,751,true],"1536x1536":["https:\/\/www.uartes.edu.ec\/sitio\/sonocordia\/wp-content\/uploads\/sites\/15\/2023\/08\/SC7-SONOCORDIA-VOL3-N7-WEB-FINAL-1.jpg",1000,1416,false],"2048x2048":["https:\/\/www.uartes.edu.ec\/sitio\/sonocordia\/wp-content\/uploads\/sites\/15\/2023\/08\/SC7-SONOCORDIA-VOL3-N7-WEB-FINAL-1.jpg",1000,1416,false],"gb-block-post-grid-landscape":["https:\/\/www.uartes.edu.ec\/sitio\/sonocordia\/wp-content\/uploads\/sites\/15\/2023\/08\/SC7-SONOCORDIA-VOL3-N7-WEB-FINAL-1-600x400.jpg",600,400,true],"gb-block-post-grid-square":["https:\/\/www.uartes.edu.ec\/sitio\/sonocordia\/wp-content\/uploads\/sites\/15\/2023\/08\/SC7-SONOCORDIA-VOL3-N7-WEB-FINAL-1-600x600.jpg",600,600,true],"featured-slider-larger":["https:\/\/www.uartes.edu.ec\/sitio\/sonocordia\/wp-content\/uploads\/sites\/15\/2023\/08\/SC7-SONOCORDIA-VOL3-N7-WEB-FINAL-1-980x400.jpg",980,400,true],"featured-slider":["https:\/\/www.uartes.edu.ec\/sitio\/sonocordia\/wp-content\/uploads\/sites\/15\/2023\/08\/SC7-SONOCORDIA-VOL3-N7-WEB-FINAL-1-640x318.jpg",640,318,true]},"uagb_author_info":{"display_name":"Universidad de las Artes","author_link":"https:\/\/www.uartes.edu.ec\/sitio\/sonocordia\/author\/dircomadm\/"},"uagb_comment_info":0,"uagb_excerpt":"SONOCORDIA. Revista de artes sonoras y producci\u00f3n musical Universidad de las Artes Volumen 3, N\u00famero 7. Mayo 2023 ISSN 2697-3545 2953-657X Seguir leyendo Volumen 3\/N\u00b0 7&rarr;","featured_image_src":"https:\/\/www.uartes.edu.ec\/sitio\/sonocordia\/wp-content\/uploads\/sites\/15\/2023\/08\/SC7-SONOCORDIA-VOL3-N7-WEB-FINAL-1-600x400.jpg","featured_image_src_square":"https:\/\/www.uartes.edu.ec\/sitio\/sonocordia\/wp-content\/uploads\/sites\/15\/2023\/08\/SC7-SONOCORDIA-VOL3-N7-WEB-FINAL-1-600x600.jpg","author_info":{"display_name":"Universidad de las Artes","author_link":"https:\/\/www.uartes.edu.ec\/sitio\/sonocordia\/author\/dircomadm\/"},"distributor_meta":false,"distributor_terms":false,"distributor_media":false,"distributor_original_site_name":"Sonocordia","distributor_original_site_url":"https:\/\/www.uartes.edu.ec\/sitio\/sonocordia","push-errors":false,"_links":{"self":[{"href":"https:\/\/www.uartes.edu.ec\/sitio\/sonocordia\/wp-json\/wp\/v2\/posts\/320","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.uartes.edu.ec\/sitio\/sonocordia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.uartes.edu.ec\/sitio\/sonocordia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.uartes.edu.ec\/sitio\/sonocordia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.uartes.edu.ec\/sitio\/sonocordia\/wp-json\/wp\/v2\/comments?post=320"}],"version-history":[{"count":4,"href":"https:\/\/www.uartes.edu.ec\/sitio\/sonocordia\/wp-json\/wp\/v2\/posts\/320\/revisions"}],"predecessor-version":[{"id":327,"href":"https:\/\/www.uartes.edu.ec\/sitio\/sonocordia\/wp-json\/wp\/v2\/posts\/320\/revisions\/327"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.uartes.edu.ec\/sitio\/sonocordia\/wp-json\/wp\/v2\/media\/322"}],"wp:attachment":[{"href":"https:\/\/www.uartes.edu.ec\/sitio\/sonocordia\/wp-json\/wp\/v2\/media?parent=320"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.uartes.edu.ec\/sitio\/sonocordia\/wp-json\/wp\/v2\/categories?post=320"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.uartes.edu.ec\/sitio\/sonocordia\/wp-json\/wp\/v2\/tags?post=320"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}