{"id":367,"date":"2024-05-02T10:33:13","date_gmt":"2024-05-02T15:33:13","guid":{"rendered":"https:\/\/www.uartes.edu.ec\/sitio\/sonocordia\/?p=367"},"modified":"2024-08-02T10:56:51","modified_gmt":"2024-08-02T15:56:51","slug":"volumen-3-n-9","status":"publish","type":"post","link":"http:\/\/www.uartes.edu.ec\/sitio\/sonocordia\/2024\/05\/02\/volumen-3-n-9\/","title":{"rendered":"Volumen 3\/N\u00b0 9"},"content":{"rendered":"\n
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SONOCORDIA<\/strong>. Revista de artes sonoras y producci\u00f3n musical
Universidad de las Artes
Volumen 3, N\u00famero 8. Mayo 2024.
ISSN 2697-3545 2953-657X<\/p>\n\n\n\n

SONOCORDIA<\/strong>. Revista de artes sonoras y producci\u00f3n musical es una propuesta editorial cient\u00edfica, colectiva y arbitrada acad\u00e9micamente que nace en la Escuela de Artes Sonoras (EAS) de la Universidad de las Artes (Guayaquil, Ecuador), con la intenci\u00f3n de difundir investigaci\u00f3n acad\u00e9mica y partituras in\u00e9ditas de composici\u00f3n sonora.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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DESCARGAR EL PDF COMPLETO DE LA VERSI\u00d3N IMPRESA DE LA REVISTA \u2192<\/a><\/p>\n<\/div>\n\n\n\n

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Introducci\u00f3n<\/a><\/h4>\n\n\n\n

Jorge Azama<\/p>\n\n\n\n

Pr\u00f3logo<\/a><\/h4>\n\n\n\n

AES LAC 2023 Diego Benalc\u00e1zar<\/p>\n\n\n\n

<\/div>\n\n\n\n

Art\u00edculos<\/h4>\n\n\n\n

Optimizando la mezcla: Answer Set Programming en la producci\u00f3n musical inteligente \u2192<\/a>
Flavio Everardo, Ileana Ben\u00edtez, Yamil Burguete<\/p>\n\n\n\n

Estudio comparativo de enfoques probabil\u00edsticos para la generaci\u00f3n de progresiones arm\u00f3nicas \u2192<\/a>
Juan N\u00fa\u00f1ez, Cristian Baja\u00f1a, Mateo Yepes, Daniel G\u00f3mez<\/p>\n\n\n\n

Implementaci\u00f3n de una aplicaci\u00f3n software<\/em>\u00a0para la emulaci\u00f3n de una consola mezcladora de audio como herramienta de aprendizaje significativo \u2192<\/a>
Michael Acevedo, Josu\u00e9 Ord\u00f3\u00f1ez, Juan Prieto, Daniel Layton, Eric Rodr\u00edguez, Daniel Jara-Hurtado<\/p>\n\n\n\n

Software<\/em>\u00a0adaptivo para el entrenamiento auditivo t\u00e9cnico en las aulas de clases \u2192<\/a>
Juan Corredor<\/p>\n\n\n\n

La sonificaci\u00f3n de datos como herramienta tecnol\u00f3gica para la creaci\u00f3n art\u00edstica \u2192<\/a>
Diego Molina, Isabella \u00c1lvarez, Lina Gonz\u00e1lez, Jamir Moreno<\/p>\n\n\n\n

P\u00f3dcast inmersivo para la divulgaci\u00f3n de historias de ni\u00f1os, ni\u00f1as y adolescentes v\u00edctimas del conflicto armado colombiano \u2192<\/a>
Mar\u00eda Casta\u00f1eda, Julia Cubides, Laura Pineda<\/p>\n\n\n\n

Estudio de viabilidad del residuo del cultivo de c\u00e1\u00f1amo como material de acondicionamiento ac\u00fastico \u2192<\/a>
Timothy Carrera<\/p>\n\n\n\n

Miscel\u00e1neas (Fuera de tono)<\/h4>\n\n\n\n

Ep\u00edlogo \u2192<\/a>
Renato Zamora<\/p>\n\n\n\n

Memorias AES LAC 2023 \u2192<\/a>
Juan Jim\u00e9nez<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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Revista de artes sonoras y producci\u00f3n musical es una propuesta editorial cient\u00edfica, colectiva y arbitrada acad\u00e9micamente que nace en la Escuela Seguir leyendo Volumen 3\/N\u00b0 9<\/span>→<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":369,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"cybocfi_hide_featured_image":"","footnotes":""},"categories":[5],"tags":[],"class_list":["post-367","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ediciones-anteriores"],"uagb_featured_image_src":{"full":["https:\/\/www.uartes.edu.ec\/sitio\/sonocordia\/wp-content\/uploads\/sites\/15\/2024\/08\/SONOCORDIA-9-1.jpg",1000,1440,false],"thumbnail":["https:\/\/www.uartes.edu.ec\/sitio\/sonocordia\/wp-content\/uploads\/sites\/15\/2024\/08\/SONOCORDIA-9-1-150x150.jpg",150,150,true],"medium":["https:\/\/www.uartes.edu.ec\/sitio\/sonocordia\/wp-content\/uploads\/sites\/15\/2024\/08\/SONOCORDIA-9-1-208x300.jpg",208,300,true],"medium_large":["https:\/\/www.uartes.edu.ec\/sitio\/sonocordia\/wp-content\/uploads\/sites\/15\/2024\/08\/SONOCORDIA-9-1-768x1106.jpg",530,763,true],"large":["https:\/\/www.uartes.edu.ec\/sitio\/sonocordia\/wp-content\/uploads\/sites\/15\/2024\/08\/SONOCORDIA-9-1-711x1024.jpg",530,763,true],"1536x1536":["https:\/\/www.uartes.edu.ec\/sitio\/sonocordia\/wp-content\/uploads\/sites\/15\/2024\/08\/SONOCORDIA-9-1.jpg",1000,1440,false],"2048x2048":["https:\/\/www.uartes.edu.ec\/sitio\/sonocordia\/wp-content\/uploads\/sites\/15\/2024\/08\/SONOCORDIA-9-1.jpg",1000,1440,false],"gb-block-post-grid-landscape":["https:\/\/www.uartes.edu.ec\/sitio\/sonocordia\/wp-content\/uploads\/sites\/15\/2024\/08\/SONOCORDIA-9-1.jpg",278,400,false],"gb-block-post-grid-square":["https:\/\/www.uartes.edu.ec\/sitio\/sonocordia\/wp-content\/uploads\/sites\/15\/2024\/08\/SONOCORDIA-9-1.jpg",417,600,false],"featured-slider-larger":["https:\/\/www.uartes.edu.ec\/sitio\/sonocordia\/wp-content\/uploads\/sites\/15\/2024\/08\/SONOCORDIA-9-1-980x400.jpg",980,400,true],"featured-slider":["https:\/\/www.uartes.edu.ec\/sitio\/sonocordia\/wp-content\/uploads\/sites\/15\/2024\/08\/SONOCORDIA-9-1-640x318.jpg",640,318,true]},"uagb_author_info":{"display_name":"Universidad de las Artes","author_link":"https:\/\/www.uartes.edu.ec\/sitio\/sonocordia\/author\/dircomadm\/"},"uagb_comment_info":1,"uagb_excerpt":"SONOCORDIA. 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