{"id":49458,"date":"2023-11-10T19:11:00","date_gmt":"2023-11-11T00:11:00","guid":{"rendered":"https:\/\/www.uartes.edu.ec\/sitio\/?p=49458"},"modified":"2024-07-04T11:20:28","modified_gmt":"2024-07-04T16:20:28","slug":"lo-demas-se-desea-montajes","status":"publish","type":"post","link":"https:\/\/www.uartes.edu.ec\/sitio\/blog\/2023\/11\/10\/lo-demas-se-desea-montajes\/","title":{"rendered":"\u201cLo dem\u00e1s, se desea. Montajes\u201d"},"content":{"rendered":"\n

Viernes 10 de noviembre. En la Plaza P\u00fablica del MZ14 Centro de Producci\u00f3n e Innovaci\u00f3n de las UArtes todo estaba dispuesto para la presentaci\u00f3n del libro \u201cLo dem\u00e1s, se desea. Montajes\u201d, de Editorial Funes. La cita se dio en el marco de la IX edici\u00f3n de Libre Libro y participaron las autoras Mar\u00eda Auxiliadora Balladares, Gabriela Ponce y Darashea Toala.<\/p>\n\n\n\n

El libro, se indic\u00f3, fue concebido para una curadur\u00eda con ideas de mujeres artistas. Es importante ocupar escritos basados en un guion perform\u00e1tico, como \u201cTazas rosas de t\u00e9\u201d de Gabriela Ponce, y el texto de Mar\u00eda Auxiliadora Balladares. Existen normativas y piezas a montar en este proyecto, se exploran dualidades, m\u00e9todos para exponer escenas hist\u00f3ricas, participaciones sensoriales y voces emergentes que informen sus matices, ritmo y personajes sensoriales. La filosof\u00eda de este libro es proponer un trabajo colectivo que parte de lo com\u00fan hasta narrativas donde figure la literatura que teje v\u00ednculos afectivos.<\/p>\n\n\n\n

El sentido de utilidad de montaje, adem\u00e1s de crear sentidos afectivos, es poner la idea del collage como una t\u00e9cnica que influye a los artistas. La pr\u00e1ctica art\u00edstica tiene su historia desde la escuela vanguardista, como los cubistas, los dada\u00edstas, por ejemplo. Estos se caracterizaban por ser radicales, impertinentes. Concretamente, los dada\u00edstas propon\u00edan pel\u00edculas con un tratamiento en el ritmo y tiempo, como en el caso del \u201cPerro andaluz\u201d de Luis Bu\u00f1uel (1929), donde se rompe el tiempo narrativo lineal. Bu\u00f1uel convierte el tiempo en algo impertinente  y atemporal, como una forma de burlarse de la continuidad y el tiempo lineal.<\/p>\n\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n

\u201cEsta obra es sue\u00f1o que rompe la cantidad del espacio, es pr\u00e1ctica y vers\u00e1til con el montaje, el collage a lo largo de toda la obra, es un acto pol\u00edtico donde el pueblo enfrenta el poder, esto es reflejado en el texto cuando unas prostitutas se niegan a trabajar con soldados asesinos en una ciudad argentina. Y como dir\u00eda Walter Benjam\u00edn: El \u00e1ngel de la historia sabe las ruinas del pasado y el futuro del progreso\u201d, mencion\u00f3 Balladares.<\/p>\n\n\n\n

Darashea Toala afirm\u00f3 que la obra es recurrente con el materialismo hist\u00f3rico, la pol\u00edtica que cuestiona, la eliminaci\u00f3n de las familias que se relacionen con lo material, exhibe murales de una patria con el objetivo de que una ciudad tenga una luz radiante y con sentido.<\/p>\n\n\n\n

En Argentina, sus habitantes cuentan historias de la dictadura por medio de la pirater\u00eda, la lengua y las batallas. En esta obra veremos a una poblaci\u00f3n dialogar contra el poder, la injusticia y la corrupci\u00f3n. Las voces en \u201cLos dem\u00e1s\u201d son registros de c\u00f3mo son las resistencias de las mujeres contra el poder, como en el texto se refleja en las prostitutas protagonistas que se niegan a atender las necesidades de soldados asesinos.<\/p>\n\n\n\n

Esta obra evoca un dato hist\u00f3rico como el ocurrido en el pa\u00eds albiceleste un 15 de noviembre de 1922. Esta repetici\u00f3n de eventos atrae los lugares que sirven para realizar montajes. As\u00ed, los pueblos forman una resistencia a la opresi\u00f3n mediante gestos y dispositivos.<\/p>\n\n\n\n

\u201cLo dem\u00e1s, se desea. Montajes\u201d es un grito de la justicia que surge desde la reescritura de la memoria.<\/p>\n\n\n\n

Texto: Michael Medina Chalco, estudiante de la Escuela de Literatura.<\/p>\n","protected":false},"excerpt":{"rendered":"

Viernes 10 de noviembre, 14:30. En la Plaza P\u00fablica del MZ14 Centro de Producci\u00f3n e Innovaci\u00f3n de las UArtes todo estaba dispuesto para la presentaci\u00f3n de la obra \u201cLo dem\u00e1s, se desea. Montajes\u201d, de Editorial Funes. La cita se dio en el marco de la IX edici\u00f3n de Libre Libro, organizada por la Escuela de Literatura, y participaron las autoras Mar\u00eda Auxiliadora Balladares, Gabriela Ponce y Darashea Toala. La publicaci\u00f3n, se indic\u00f3, fue concebida para una curadur\u00eda con ideas de mujeres artistas. <\/p>\n","protected":false},"author":10,"featured_media":49460,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"cybocfi_hide_featured_image":"","footnotes":""},"categories":[80,75,76,77,175,83,79],"tags":[547],"infouartes":[],"class_list":["post-49458","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-academico","category-docentes","category-estudiantes","category-gestion","category-literatura","category-sedes","category-vinculo","tag-libre-libro"],"acf":[],"yoast_head":"\nUniversidad de las Artes - \u201cLo dem\u00e1s, se desea. 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