{"id":64919,"date":"2024-11-20T15:13:00","date_gmt":"2024-11-20T20:13:00","guid":{"rendered":"https:\/\/www.uartes.edu.ec\/sitio\/?p=64919"},"modified":"2024-11-23T15:32:31","modified_gmt":"2024-11-23T20:32:31","slug":"clarisa-navas-en-congreso-de-redu-con-peliculas-que-exploran-la-relacion-entre-poesia-y-cine-e-invitan-a-repensar-formas-de-vincularse","status":"publish","type":"post","link":"https:\/\/www.uartes.edu.ec\/sitio\/blog\/2024\/11\/20\/clarisa-navas-en-congreso-de-redu-con-peliculas-que-exploran-la-relacion-entre-poesia-y-cine-e-invitan-a-repensar-formas-de-vincularse\/","title":{"rendered":"Clarisa Navas, en congreso con pel\u00edculas que exploran la relaci\u00f3n entre poes\u00eda y cine e invitan a repensar formas de vincularse"},"content":{"rendered":"\n

Directora, guionista, productora, docente y escritora. La argentina Clarisa Navas particip\u00f3 junto con Jos\u00e9 Cardoso, ilustrador, dise\u00f1ador gr\u00e1fico y cineasta, en la primera de las cuatro escenas de cine foro programadas en el XI Congreso Internacional de Investigaci\u00f3n de la Red Ecuatoriana de Universidades y Escuelas Polit\u00e9cnicas para Investigaci\u00f3n y Posgrados (REDU), de la cual UArtes es parte y tambi\u00e9n anfitriona de la cita internacional.<\/p>\n\n\n\n

En la Sala de Cine del MZ14 Centro de Producci\u00f3n e Innovaci\u00f3n, Navas present\u00f3 la primera de dos producciones que trajo al congreso: \u201cV\u00eda\/Versus\u201d (38′), mientras que de Cardoso se proyect\u00f3 \u201cLo que la tierra recuerda\u201d (30\u2019). En su producci\u00f3n, la directora explora las relaciones entre la poes\u00eda y el cine. Lo hace a trav\u00e9s de dos poemas de Mar\u00eda Salgado, de Espa\u00f1a.<\/p>\n\n\n\n

\u201cV\u00eda\/Versus\u201d transita entre Corrientes (Argentina) y la aldea de Pousada (Galicia) y aborda la represi\u00f3n y la violencia. Navas dijo ser de esa parte del Noreste argentino y que para la pel\u00edcula hay una investigaci\u00f3n que tiene que ver con el silenciamiento de ciertas lenguas, con el arrasamiento del colonialismo en su regi\u00f3n, \u201cpero tambi\u00e9n \u2013y de alguna manera\u2013 con la violencia de vidas que se imponen sobre otras tambi\u00e9n en esa regi\u00f3n de Espa\u00f1a; es un cruce que explora dos territorios, vidas y lenguas omitidas y en v\u00edas de extinci\u00f3n\u201d, expres\u00f3.<\/p>\n\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n

El proceso para la realizaci\u00f3n de la pel\u00edcula le tom\u00f3 aproximadamente dos a\u00f1os y se trat\u00f3 de un trabajo muy situado en ambos lugares \u201cy de mucho pensamiento en torno a esa relaci\u00f3n posible que puede haber entre el cine y la poes\u00eda y c\u00f3mo hacer una pel\u00edcula que sea un poema y un poema que sea una pel\u00edcula\u201d. <\/p>\n\n\n\n

Con Clarisa Navas y Salgado, en la producci\u00f3n intervinieron Lucas Olivares, Martha Orozco, Chus P\u00e9rez Limia y Marta F. Salgado.<\/p>\n\n\n\n

En di\u00e1logo con la cineasta<\/h3>\n\n\n\n

Tras la presentaci\u00f3n de \u201cV\u00eda\/Versus\u201d, y bajo la moderaci\u00f3n del director Fernando Mieles, docente de la Escuela de Cine, Navas respondi\u00f3 las inquietudes tanto de su interlocutor como de la audiencia, las cuales giraron en torno a las nuevas tendencias del cine contempor\u00e1neo.<\/p>\n\n\n\n

\u201cV\u00eda\/Versus\u201d explora la identidad, la pertenencia y la b\u00fasqueda de significado en un contexto social desafiante, se anot\u00f3 en el di\u00e1logo y evidenci\u00f3 en el trabajo de Navas un abordaje de la marginalidad, la juventud y las luchas internas de los personajes en entornos urbanos. La propuesta audiovisual presentada llev\u00f3 al espectador a sumergirse en la vida de personas que luchan por encontrar un lugar en un mundo lleno de injusticias y discriminaci\u00f3n, aflorando un estilo que se caracteriza por un enfoque de lo \u00edntimo, lo personal y lo subjetivo.<\/p>\n\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n

Su segunda pel\u00edcula en el congreso<\/h3>\n\n\n\n

La segunda pel\u00edcula de Clarisa Navas en el XI congreso de REDU es \u201cLas mil y una\u201d, un largometraje de ficci\u00f3n que, seg\u00fan revel\u00f3, parte de un cuento que hizo en la adolescencia y que fue madurando durante muchos a\u00f1os como para ir tomando cuerpo. \u201cEs una pel\u00edcula que se estren\u00f3 en el 2020 y explora tambi\u00e9n territorios existenciales que tienen que ver con el Noreste de Argentina, con la sexualidad, con las disidencias. Es un cine que va mucho sobre los gestos, sobre repensar el lenguaje, el cuerpo, las formas de vincularse\u201d.<\/p>\n\n\n\n

Desde su concepci\u00f3n, la pel\u00edcula cambi\u00f3 un mont\u00f3n, indic\u00f3 Navas. \u201cAlgo de ese cuento, a modo de archivo, evoca ciertas emociones y sensaciones que tienen que ver con la intensidad de una etapa. L\u00f3gicamente, despu\u00e9s de tantos a\u00f1os vino todo lo que tiene que ver con ciertas declaraciones, conocimientos y una pr\u00e1ctica tambi\u00e9n en el cine que lo modific\u00f3. El cuento funciona de alguna manera como archivo de esa experiencia\u201d. <\/p>\n\n\n\n

De su participaci\u00f3n en el congreso de REDU y de conocer la Universidad de las Artes, Clarisa Navas coment\u00f3 que es una experiencia muy diferente. \u201cEs como sacar un poco el cine de dentro del cine y abrir a otros lenguajes de las artes me parece muy hermoso\u201d.<\/p>\n\n\n\n

\u201cLas mil y una\u201d se presenta hoy, mi\u00e9rcoles 20 de noviembre, en la Sala de Cine de MZ14.<\/p>\n\n\n\n

Texto: Carmen Cortez\/Dircom y Eleinn Rivera, estudiante de la Escuela de Literatura. <\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cV\u00eda\/Versus\u201d y \u201cLas mil y una\u201d. Son las pel\u00edculas que la directora argentina Clarisa Navas trajo al XI Congreso Internacional de Investigaci\u00f3n de REDU, que se desarrolla en la Universidad de las Artes. El primer trabajo citado explora la relaci\u00f3n entre poes\u00eda y cine e indaga sobre el silenciamiento de ciertas lenguas. El segundo es un largometraje de ficci\u00f3n que aborda territorios existenciales.<\/p>\n","protected":false},"author":10,"featured_media":64920,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"cybocfi_hide_featured_image":"","footnotes":""},"categories":[80,490,82,75,76,77],"tags":[622],"infouartes":[],"class_list":["post-64919","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-academico","category-alumni","category-artes","category-docentes","category-estudiantes","category-gestion","tag-congreso"],"acf":[],"yoast_head":"\nUniversidad de las Artes - Clarisa Navas, en congreso con pel\u00edculas que exploran la relaci\u00f3n entre poes\u00eda y cine e invitan a repensar formas de 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